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|a 9780472024490
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|b .S38 2009
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|a 346.7304/82
|2 22
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| 100 |
1 |
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|a Schur, Richard L.
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| 245 |
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0 |
|a Parodies of Ownership :
|b Hip-Hop Aesthetics and Intellectual Property Law /
|c Richard L. Schur.
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| 264 |
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1 |
|a Ann Arbor :
|b University of Michigan Library,
|c 2009.
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| 264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2011
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| 264 |
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|c ©2009.
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| 300 |
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|a 1 online resource (256 pages).
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (p. 209-226) and index.
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| 505 |
0 |
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|a From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post--civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.
|
| 506 |
0 |
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|a Open Access
|f Unrestricted online access
|2 star
|
| 588 |
|
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|a Description based on print version record.
|
| 650 |
|
0 |
|a African Americans in popular culture.
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| 650 |
|
0 |
|a Hip-hop
|x Influence.
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| 650 |
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0 |
|a Intellectual property
|z United States.
|
| 650 |
|
0 |
|a African Americans
|x Legal status, laws, etc.
|
| 655 |
|
7 |
|a Electronic books.
|2 local
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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|a Book collections on Project MUSE.
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| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/185/
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| 945 |
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|a Project MUSE - Archive Complete Foundation
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| 945 |
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|a Project MUSE - Archive Political Science and Policy Studies Foundation
|
