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Hal Hartley /

"Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. B...

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Detalles Bibliográficos
Autor principal: Berrettini, Mark L., 1972-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, 2011.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Berrettini, Mark L.,  |d 1972- 
245 1 0 |a Hal Hartley /   |c Mark L. Berrettini. 
264 1 |a Urbana :  |b University of Illinois Press,  |c 2011. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©2011. 
300 |a 1 online resource (136 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Contemporary film directors 
505 0 |a Efficiency, estrangement, and antirealism : the films of Hal Hartley -- Introduction -- Biography -- Families and bombs : the Long Island films -- The unbelievable truth -- Trust -- Simple men -- Obscenity and espionage; or, "the Long Island era is done" -- Amateur -- Henry Fool -- Fay Grim -- The apocalypse, digitized -- The book of life -- Conclusion -- Interviews with Hal Hartley. 
520 |a "Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. Berrettini discusses seven of Harley's feature films ... Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Harley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He notes how these themes reappear withing framing narratives that shift from the seemingly mundane in Harley's earliest works to the vibrantly creative and fantastic in his later films. Employing close analysis and theories related to cinematic narrative and realism, the book considers aspects of American independent cinema and postwar European cinema, antirealism, and minimalism. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career."--Back cover. 
588 |a Description based on print version record. 
600 1 7 |a Hartley, Hal,  |d 1959-  |2 fast  |0 (OCoLC)fst00332609 
600 1 0 |a Hartley, Hal,  |d 1959-  |x Criticism and interpretation. 
650 7 |a Motion picture producers and directors.  |2 fast  |0 (OCoLC)fst01027225 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Direction & Production.  |2 bisacsh 
650 6 |a Producteurs et realisateurs de cinema  |v Biographies. 
650 0 |a Motion picture producers and directors  |v Biography. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Biographies.  |2 fast  |0 (OCoLC)fst01919896 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/18432/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2011 Complete Supplement 
945 |a Project MUSE - 2011 Film, Theater and Performing Arts Supplement