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Global Currents : Media and Technology Now /
Rhetoric about media technology tends to fall into two extreme categories: unequivocal celebration or blanket condemnation. This is particularly true in debate over the clash of values when first world media infiltrate third world audiences. Bringing together the best new work on contemporary media...
| Otros Autores: | , , , , , , , , , , , , , |
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| Formato: | Electrónico |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, NJ
Rutgers University Press
[2004]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Global Currents : |b Media and Technology Now / |c Tasha G. Oren, Patrice Petro. |
| 264 | 1 | |a New Brunswick, NJ |b Rutgers University Press |c [2004] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©[2004] | |
| 300 | |a 1 online resource (272 pages). | ||
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| 490 | 0 | |a New Directions in International Studies | |
| 520 | |a Rhetoric about media technology tends to fall into two extreme categories: unequivocal celebration or blanket condemnation. This is particularly true in debate over the clash of values when first world media infiltrate third world audiences. Bringing together the best new work on contemporary media practices, technologies, and policies, the essayists in Global Currents argue that neither of these extreme views accurately represents the role of media technology today. New ways of thinking about film, television, music, and the internet demonstrate that it is not only media technologies that affect the cultures into which they are introduced--it is just as likely that the receiving culture will change the media. Topics covered in the volume include copyright law and surveillance technology, cyber activism in the African Diaspora, transnational monopolies and local television industries, the marketing and consumption of "global music," "click politics" and the war on Afghanistan, the techno-politics of distance education, artificial intelligence and global legal institutions, and traveling and "squatting" in digital space. Balanced between major theoretical positions and original field research, the selections address the political and cultural meanings that surround and configure new technologies. | ||
| 546 | |a In English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a SOCIAL SCIENCE / General. |2 bisacsh | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Taylor, Timothy |e Sonstige. |4 oth | |
| 700 | 1 | |a Sreberny, Annabelle |e Sonstige. |4 oth | |
| 700 | 1 | |a Sands, Peter |e Sonstige. |4 oth | |
| 700 | 1 | |a Petro, Patrice |e Herausgeber. |4 edt | |
| 700 | 1 | |a Oren, Tasha G. |e Herausgeber. |4 edt | |
| 700 | 1 | |a Ohmer, Susan |e Sonstige. |4 oth | |
| 700 | 1 | |a Miller, Toby |e Sonstige. |4 oth | |
| 700 | 1 | |a Larkin, Brian |e Sonstige. |4 oth | |
| 700 | 1 | |a Jones, Steve |e Sonstige. |4 oth | |
| 700 | 1 | |a Foner, Lenny |e Sonstige. |4 oth | |
| 700 | 1 | |a Everett, Anna |e Sonstige. |4 oth | |
| 700 | 1 | |a Ciecko, Anne |e Sonstige. |4 oth | |
| 700 | 1 | |a Braman, Sandra |e Sonstige. |4 oth | |
| 700 | 1 | |a Bourdon, Jerome |e Sonstige. |4 oth | |
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| 830 | 0 | |a Book collections on Project MUSE. | |
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| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement | ||
| 945 | |a Project MUSE - Archive Complete Supplement | ||