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Artaud and His Doubles /

This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from accepted familiar premises, largely established in the 1960s: Artaud as prophet, madman, genius, was the thing to s...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Jannarone, Kimberly
Autor Corporativo: Project Muse
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor, Mich. : University of Michigan Press, 2010
Colección:Theater--theory/text/performance.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Jannarone, Kimberly. 
245 1 0 |a Artaud and His Doubles /   |c Kimberly Jannarone. 
264 1 |a Ann Arbor, Mich. :  |b University of Michigan Press,  |c 2010 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2010 
300 |a 1 online resource (271 pages):   |b digital file. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Theater: theory/text/performance 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (p. 233-241) and index. 
505 0 |a The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling in the theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise of the director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness. 
506 |a Access restricted to authorized users and institutions. 
520 3 |a This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from accepted familiar premises, largely established in the 1960s: Artaud as prophet, madman, genius, was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and his productions--I dug into the archives to research Artaud's theatrical practice. 
588 |a Description based on print version record. 
600 1 0 |a Artaud, Antonin,  |d 1896-1948  |x Knowledge  |x Performing arts. 
600 1 0 |a Artaud, Antonin,  |d 1896-1948  |x Criticism and interpretation. 
650 0 |a Cruelty in literature. 
650 0 |a Drama  |x History and criticism  |x Theory, etc. 
650 0 |a Experimental theater  |z France  |x History  |y 20th century. 
655 7 |a Electronic books.   |2 local 
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776 1 8 |i Print version:  |z 047211736X  |z 9780472117369  |w (DLC) 2010024619  
710 2 |a Project Muse.  |e distributor 
830 0 |a Theater--theory/text/performance. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/15615/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Complete 
945 |a Project MUSE - 2012 Film, Theater and Performing Arts