Maximum Embodiment : Yoga, the Western Painting of Japan, 1912-1955 /

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Maximum Embodiment presents a compelling thesis articulating the historical character of Yoga, literally the "Western painting" of Japan. The term designates what was arguably the most important movement in modern Japanese art from the late nineteenth to the mid-twentieth centuries. Perhap...

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Détails bibliographiques
Auteur principal: Winther-Tamaki, Bert, 1959-
Format: Électronique eBook
Langue:Inglés
Publié: Honolulu : University of Hawaiʻi Press, 2012.
Collection:Book collections on Project MUSE.
Sujets:
Chōsen Kōgei Kenkyūkai
Yōga > Malerei
Painting, Japanese > Western style.
Painting, Japanese.
ART > Asian.
ART > History > General.
Yōga (Japanese painting styles)
Peinture japonaise > 20e siecle.
Yōga (Peinture japonaise)
Painting, Japanese > 20th century.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Front Cover
  • Contents
  • Illustrations
  • Acknowledgments
  • Note on Translations and Names
  • Introduction YÅ?ga, the Intercultural Art of Embodiment and Disembodiment
  • Chapter 1 Strong Flesh at the Ready: Body and Self in Self-Portraiture
  • Chapter 2 Accelerating the Heartbeat: Erotic Nationalism and the Japanese Nude
  • Chapter 3 Creating Oriental Beauty: Chinese Passages to Imperial YÅ?ga
  • Color plates (12)
  • Chapter 4 The Feast of Fierce Massacre: Maximum Disembodiment
  • Epilogue The Collapse of YÅ?ga Embodiment
  • Notes
  • Selected BibliographyIndex
  • About the Author
  • Back Cover

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