Screens and Veils : Maghrebi Women's Cinema /
| Call Number: | Libro Electrónico |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Bloomington :
Indiana University Press,
2011.
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| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Overture: Maghrebi women's transvergent cinema
- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
- Coda.


