I Sing for I Cannot Be Silent : The Feminization of American Hymnody, 1870-1920 /

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Evangelical hymns constituted a cherished part of communal Christian life and served as an important and effective way to teach doctrine. These hymns - the focus of "I Sing for I Cannot Be Silent"--Served an additional social purpose in the late nineteenth and early twentieth centuries: th...

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Détails bibliographiques
Auteur principal: Hobbs, June Hadden, 1948-
Format: Électronique eBook
Langue:Inglés
Publié: Pittsburgh, Pa. : University of Pittsburgh Press, 1997.
Collection:Book collections on Project MUSE.
Sujets:
Frau.
Kirchenlied.
Women hymn writers.
Hymns, English.
RELIGION > Christian Rituals & Practice > Worship & Liturgy.
RELIGION > Institutions & Organizations.
Femmes hymnographes > États-Unis > Histoire > 20e siecle.
Femmes hymnographes > États-Unis > Histoire > 19e siecle.
Women hymn writers > United States > History > 20th century.
Women hymn writers > United States > History > 19th century.
Hymns, English > United States > History and criticism.
USA.
United States.
États-Unis > Histoire religieuse > 20e siecle.
États-Unis > Histoire religieuse > 19e siecle.
United States > Church history > 20th century.
United States > Church history > 19th century.
History.
Criticism, interpretation, etc.
Church history.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Acknowledgments
  • Words and women in the evangelical community
  • Hymns as the cultural property of nineteenth-century women
  • His religion and hers
  • Women's hymns as narrative models
  • The patriarchal backlash.

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