Chinese Ways of Seeing and Open-Air Painting /
"Focuses on the rise of open-air painting in modern China beginning in the late 1910s, when the New Culture Movement prompted painters to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics, through the early 1960s. The new landscape practice bro...
| Format: | Électronique eBook |
|---|---|
| Langue: | Inglés |
| Publié: |
Boston :
BRILL,
2020.
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| Collection: | Book collections on Project MUSE.
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Copyright Page / Author: Yi Gu
- Dedication / Author: Yi Gu
- List of Illustrations / Author: Yi Gu
- Acknowledgments / Author: Yi Gu
- Introduction / Author: Yi Gu
- chapter one Open-Air Painting and the Modern Chinese Painter / Author: Yi Gu
- chapter two Optical Vision and New Modes of Depiction / Author: Yi Gu
- chapter three Inventing Tradition through Open-Air Painting / Author: Yi Gu
- chapter four Open-Air Painting during the War / Author: Yi Gu
- chapter five Views of the Party-State / Author: Yi Gu
- Epilogue / Author: Yi Gu
- Notes / Author: Yi Gu
- Glossary / Author: Yi Gu
- Bibliography / Author: Yi Gu
- Index / Author: Yi Gu
- Harvard East Asian Monographs / Author: Yi Gu.


