The Great Black Spider on Its Knock-Kneed Tripod : Reflections of Cinema in Early Twentieth-Century Italy /

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The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy's writers with cinema, and in doing so offers vibrant new perspectives on the country's early twentieth-century culture.

Détails bibliographiques
Auteur principal: Syrimis, Michael, 1962-
Format: Électronique eBook
Langue:Inglés
Italiano
Publié: Toronto [Ont.] : University of Toronto Press, 2012
Collection:Book collections on Project MUSE.
Sujets:
Pirandello, Luigi, > 1867-1936.
Marinetti, F. T., > 1876-1944.
D'Annunzio, Gabriele, > 1863-1938.
Pirandello, Luigi, > 1867-1936 > Criticism and interpretation.
D'Annunzio, Gabriele, > 1863-1938 > Criticism and interpretation.
Marinetti, F. T., > 1876-1944 > Criticism and interpretation.
Motion pictures and literature.
Motion pictures.
PERFORMING ARTS > Reference.
LITERARY CRITICISM > European > Italian.
Cinema et litterature > Italie > Histoire > 20e siecle.
Cinema > Italie > Histoire > 20e siecle.
Motion pictures and literature > Italy > History > 20th century.
Motion pictures > Italy > History > 20th century.
Italy.
History.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Film aesthetics of a heroic Futurism
  • An aesthetics of war : the (un)problematic screening of Vita futurista
  • Velocità : between avant-garde and narrativity
  • Forse che sí forse che no : technological inflections of a decadent text
  • Through a 'futuristic' lens: D'Annunzio's cinematic re-visions
  • The humoristic image in Pirandello's Si gira ...
  • Cinema as humour : the Oltre and the Superfluo.

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