The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda /

Afficher d'autres versions (2)

In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollinaire, Francis Ponge, and Jacques Reda. She demonstra...

Description complète

Détails bibliographiques
Auteur principal: Harrow, Susan
Format: Électronique eBook
Langue:Inglés
Publié: Toronto, Ont. : University of Toronto Press, 2004.
Collection:Book collections on Project MUSE.
Sujets:
Frans.
Gedichten.
Zelf.
Lyrik
Französisch
Modernism (Literature)
French poetry.
LITERARY CRITICISM > European > French.
POETRY > Continental European.
Modernisme (Litterature) > France.
Poesie française > 19e siecle > Histoire et critique.
Poesie française > 20e siecle > Histoire et critique.
Modernism (Literature) > France.
French poetry > 19th century > History and criticism.
French poetry > 20th century > History and criticism.
France.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Debris, mess and the modernist self: RImbaud from Poesies to the Illuminations
  • Material fragments, autobiographical fantasy: reading Apollinaire's Calligrammes
  • From culture critique to poetic capital: Ponge's things-in-language
  • Sweeping the (sub)urban savannah: everyday culture and the Readean sublime.

Documents similaires