The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda /

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In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollinaire, Francis Ponge, and Jacques Reda. She demonstra...

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Detalles Bibliográficos
Autor principal: Harrow, Susan
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto, Ont. : University of Toronto Press, 2004.
Colección:Book collections on Project MUSE.
Temas:
Frans.
Gedichten.
Zelf.
Lyrik
Französisch
Modernism (Literature)
French poetry.
LITERARY CRITICISM > European > French.
POETRY > Continental European.
Modernisme (Litterature) > France.
Poesie française > 19e siecle > Histoire et critique.
Poesie française > 20e siecle > Histoire et critique.
Modernism (Literature) > France.
French poetry > 19th century > History and criticism.
French poetry > 20th century > History and criticism.
France.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Debris, mess and the modernist self: RImbaud from Poesies to the Illuminations
  • Material fragments, autobiographical fantasy: reading Apollinaire's Calligrammes
  • From culture critique to poetic capital: Ponge's things-in-language
  • Sweeping the (sub)urban savannah: everyday culture and the Readean sublime.

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