Russian Literature, 1995-2002 : On the Threshold of a New Millennium /

Writers have a difficult time making a living in contemporary Russia. Market-driven publishing companies have pushed serious domestic prose to the fringes of their output and few people have money to buy books. The disintegration of the Soviet Union in 1991 led Russian society to become polarized be...

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Detalles Bibliográficos
Autor principal: Shneidman, N. N.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto, Ont. : University of Toronto Press, 2004.
Colección:Book collections on Project MUSE.
Temas:
Proza.
Russisch.
Russian fiction.
LITERARY CRITICISM > Russian & Former Soviet Union.
Roman russe > 20e siecle > Histoire et critique.
Russian fiction > 20th century > History and criticism.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo

MARC

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245 1 0 |a Russian Literature, 1995-2002 :   |b On the Threshold of a New Millennium /   |c N.N. Shneidman. 
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505 0 |a Russian literature and society on the threshold of the new millennium -- The seniors' prose -- The mature generation -- The new writers of the Perestroika era -- Women writers -- The writers of the conservative 'patriotic' camp -- The mystery novel writers -- The new names of 1995-2002. 
520 |a Writers have a difficult time making a living in contemporary Russia. Market-driven publishing companies have pushed serious domestic prose to the fringes of their output and few people have money to buy books. The disintegration of the Soviet Union in 1991 led Russian society to become polarized between an increasingly prosperous minority and a very poor majority. This divide is also mirrored within the writing community, with some writers supporting conservative, nationalist pro-Soviet thinking, and others, liberal, democratic, pro-Western thought. Shneidman investigates the Russian literary scene with special emphasis on the relationship between thematic substance and the artistic quality of recently published prose. Despite the many challenges besetting it, Shneidman argues convincingly that literary activity in Russia continues to be dynamic and vibrant: a new generation of talented writers is fast moving past older forms of ideology and embracing new ways of thinking about Russia.--From publisher description. 
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588 |a Description based on print version record. 
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