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Private Interests : Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 /
This ambitious interdisciplinary study undertakes a new definition of the eighteenth-century novel's investment in vision and visual culture, tracing the relationship between the development of the novel and that of the equally contentious genre of the portrait, particularly as represented in t...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Buffalo :
University of Toronto Press,
2001.
|
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_105120 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905053949.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 100929s2001 onc o 00 0 eng d | ||
| 020 | |a 9781442678767 | ||
| 020 | |z 9781487525446 | ||
| 020 | |z 9780802035264 | ||
| 035 | |a (OCoLC)1320935383 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Conway, Alison. | |
| 245 | 1 | 0 | |a Private Interests : |b Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 / |c Alison Conway. |
| 264 | 1 | |a Buffalo : |b University of Toronto Press, |c 2001. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©2001. | |
| 300 | |a 1 online resource (328 pages): |b portraits | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a The novel and the portrait in eighteenth-century England -- Envisioning literary interest: Manley's The New Atalantis -- "Ravished sight": picturing Clarissa -- Refiguring virtue: The history of Miss Betsy Thoughtless and Amelia -- "Paint her to your own mind": Sterne's concupiscible narratives -- Portraits of the woman artist: Kauffman, Wollstonecraft, and Inchbald. | |
| 520 | |a This ambitious interdisciplinary study undertakes a new definition of the eighteenth-century novel's investment in vision and visual culture, tracing the relationship between the development of the novel and that of the equally contentious genre of the portrait, particularly as represented in the novel itself. Working with the novels of Richardson, Fielding, Haywood, Manley, Sterne, Wollstonecraft and Inchbald, and the portraits of Reynolds, Gainsborough, Highmore, Hudson, Hogarth, and others, Private Interests points to the intimate connections between the literary works and the paintings. Arguing that the novel's representation of the portrait sustains a tension between competing definitions of private interests, Conway shows how private interests are figured as simultaneously decorous and illicit in the novel, with the portrait at once an instrument of propriety and of scandal. Examining women's roles as both authors of and characters in the novel and the novel's encounters with the portrait, the author provides a new definition of private interests, one which highlights the development of women's agency as both spectacles and spectators. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | 7 | |a Geschichte 1709-1791. |2 swd |
| 650 | 7 | |a Porträt |x Frau |x Motiv (Literatur) |x Roman |x Englisch |x Geschichte |y 1709-1791. |2 idszbz | |
| 650 | 7 | |a Roman |x Englisch |x Motiv (Literatur) |x Frau |x Porträt |x Geschichte |y 1709-1791. |2 idszbz | |
| 650 | 7 | |a Malerei |x Roman |z englischer |y Geschichte 18. Jh. |2 idsbb | |
| 650 | 7 | |a Roman |z englischer |x Malerei |y Geschichte 18. Jh. |2 idsbb | |
| 650 | 7 | |a Frau |x Motiv |x Roman |z englischer. |2 idsbb | |
| 650 | 7 | |a Roman |z englischer |x Motiv |x Frau. |2 idsbb | |
| 650 | 7 | |a Frauenroman |z englischer |y Geschichte 18. Jh. |2 idsbb | |
| 650 | 7 | |a Frauenporträt |z Grossbritannien |y Geschichte 18. Jh. |2 idsbb | |
| 650 | 7 | |a Frau |2 gnd | |
| 650 | 7 | |a Roman |2 gnd | |
| 650 | 7 | |a Bildnis |2 gnd | |
| 650 | 7 | |a Women in literature. |2 fast |0 (OCoLC)fst01177912 | |
| 650 | 7 | |a Women and literature. |2 fast |0 (OCoLC)fst01177093 | |
| 650 | 7 | |a Visual perception in literature. |2 fast |0 (OCoLC)fst01168077 | |
| 650 | 7 | |a Portraits in literature. |2 fast |0 (OCoLC)fst01072334 | |
| 650 | 7 | |a English fiction. |2 fast |0 (OCoLC)fst00910817 | |
| 650 | 7 | |a Art and literature. |2 fast |0 (OCoLC)fst00815400 | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 6 | |a Perception visuelle dans la litterature. | |
| 650 | 6 | |a Femmes et litterature |z Angleterre |x Histoire |y 18e siecle. | |
| 650 | 6 | |a Art et litterature |z Angleterre |x Histoire |y 18e siecle. | |
| 650 | 6 | |a Femmes dans la litterature. | |
| 650 | 6 | |a Portraits dans la litterature. | |
| 650 | 6 | |a Roman anglais |y 18e siecle |x Histoire et critique. | |
| 650 | 0 | |a Women in literature. | |
| 650 | 0 | |a Portraits in literature. | |
| 650 | 0 | |a Visual perception in literature. | |
| 650 | 0 | |a Women and literature |z England |x History |y 18th century. | |
| 650 | 0 | |a Art and literature |z England |x History |y 18th century. | |
| 650 | 0 | |a English fiction |y 18th century |x History and criticism. | |
| 651 | 7 | |a Englisch. |2 swd | |
| 651 | 7 | |a England. |2 fast |0 (OCoLC)fst01219920 | |
| 600 | 0 | 7 | |a Frau |x Porträt |x Motiv (Literatur) |x Roman |x Englisch |x Geschichte |y 1709-1791. |2 idszbz |
| 655 | 7 | |a Livres numeriques. |2 rvmgf | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a e-books. |2 aat | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/105120/ |
| 945 | |a Project MUSE - Custom Collection | ||