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Contemporary Italian Filmmaking : Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation /

Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to t...

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Bibliographic Details
Main Author: Gieri, Manuela
Format: Electronic eBook
Language:Inglés
Published: Toronto, Ont. : University of Toronto Press, 1995.
Series:Book collections on Project MUSE.
Subjects:
Online Access:Texto completo
Table of Contents:
  • ""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction: Why Pirandello and the Cinema?""; ""1 He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years""; ""2 Pirandello and the Theory of the Cinema""; ""3 The Origins of the Myths: From Pirandello to Fellini""; ""4 Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context""; ""5 Ettore Scola: A Cinematic and Social Metadiscourse""; ""6 The New Italian Cinema: Restoration or Subversion?""; ""NOTES""; ""BIBLIOGRAPHY""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""
  • ""J""""k""; ""l""; ""m""; ""n""; ""o""; ""p""; ""r""; ""s""; ""t""; ""v""; ""w""; ""z""