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The oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola.

Détails bibliographiques
Auteur principal: Toft, Robert
Format: Électronique eBook
Langue:Inglés
Publié: Buffalo : University of Toronto Press, 1992.
Collection:Book collections on Project MUSE.
Sujets:
Renaissance.
Uitvoeringspraktijk.
Toonhoogte.
Vocal music.
Performance practice (Music)
Musica ficta.
Music theory.
Musical pitch.
MUSIC > Printed Music > Vocal.
MUSIC > Lyrics.
MUSIC > Instruction & Study > Voice.
MUSIC > History & Criticism.
Theorie musicale > Histoire > 16e siecle.
Pratique de l'execution (Musique) > Histoire > 16e siecle.
Musique > 16e siecle > Histoire et critique.
Musique vocale > 16e siecle > Histoire et critique.
Diapason > Histoire > 16e siecle.
Musical pitch > History > 16th century.
Vocal music > 16th century > History and criticism.
Music theory > History > 16th century.
Performance practice (Music) > History > 16th century.
History.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Description
Résumé:The oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola.
Description matérielle:1 online resource (207 pages): illustrations
ISBN:9781442671119

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