Simon Hantaï and the Reserves of Painting /
The Hungarian-born French painter Simon Hantaï (1922-2008) is best known for abstract, large-format works produced using pliage: the painting of a crumpled, gathered, or systematically pleated canvas that the artist then unfolds and stretches for exhibition. In her study of this profoundly influent...
| Main Author: | |
|---|---|
| Other Authors: | , |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
University Park, PA :
Penn State University Press,
[2021]
|
| Series: | Book collections on Project MUSE.
|
| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- PART 1 Writing and Painting
- 1. Unfolding Automatism
- 2. Excessive Gestures 1
- 3. Excessive Gestures 2
- 4. Ordinary Painting
- PART 2 Folding and Cutting
- 5. The Passage to Pliage
- 6. Figuring Finitude 1
- 7. Figuring Finitude 2
- 8. Abandoned Painting
- Envoi
- Appendix 1: "A Plantaneous Demolition" 219
- Appendix 2: "Notes, Deliberately Confounding, Accelerating, and the Like for a 'Reactionary,' Nonreducible Avant-Garde"
- Notes
- Bibliography
- Index


