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Movie Minorities : Transnational Rights Advocacy and South Korean Cinema /
"Rights advocacy has become a prominent facet of South Korea's increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000...
| Autores principales: | , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, New Jersey :
Rutgers University Press,
[2021]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 210617t20212021nju o 00 0 eng d | ||
| 020 | |a 9781978809680 | ||
| 020 | |z 9781978809642 | ||
| 020 | |z 9781978809659 | ||
| 020 | |z 9781978809673 | ||
| 020 | |z 9781978809666 | ||
| 035 | |a (OCoLC)1256803974 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Chung, Hye Seung, |d 1971- |e author. | |
| 245 | 1 | 0 | |a Movie Minorities : |b Transnational Rights Advocacy and South Korean Cinema / |c Hye Seung Chung and David Scott Diffrient. |
| 264 | 1 | |a New Brunswick, New Jersey : |b Rutgers University Press, |c [2021] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2022 | |
| 264 | 4 | |c ©[2021] | |
| 300 | |a 1 online resource: |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | 0 | |g Introduction: |t "I am a human being: : the question of rights in South Korean cinema -- |t The rise of rights-advocacy cinema in postauthoritarian South Korea -- |t If You Were Me : transnational crossings and South Korean omnibus films -- |t Hell is other high schoolers : bigots, bullies, and teenage "villainy" in South Korean cinema -- |t Indie filmmaking and queer advocacy : converging identities in Leesong Hee-il's films and writings -- |t Always, Blind, and Silenced : disability discourses in contemporary South Korean cinema -- |t Barrier-free cinema : caring for people with disabilities and touching the other in Planet of Snail -- |t Beyond torture epistephilia : the ethics of encounter and separation in Kim Dong-won's Repatriation -- |t Story as freedom or prison? narrative invention and human rights interventions in Camp 14: Total Control Zone -- |t Between Scenery and scenario : landscape, narrative, and structured absence in a Korean migrant workers documentary -- |t "Powers of the false" and "real fiction" : migrant workers in The City of Cranes and other mockumentaries -- |t Animal rights advocacy : Holocaustal imagery, and interspecies empathy in An Omnivorous Family's Dilemma and Okja -- |t Coda: "I am (not) a human being" : the question of robot rights in South Korean cinema. |
| 520 | |a "Rights advocacy has become a prominent facet of South Korea's increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today it is not unusual to see a big-budget production about the pursuit of social justice or the protection of civil liberties contending for the top spot at the box office. With that cultural shift has come a diversification of film subjects, which range from undocumented workers' rights to the sexual harassment experienced by women to high-school bullying to the struggles among people with disabilities to gain inclusion within a society that has transformed significantly since winning democratic freedoms three decades ago. Combining in-depth textual analyses of films such as Bleak Night, Okja, Planet of Snail, Repatriation, and Silenced with broader historical contextualization, Movie Minorities offers the first English-language study of South Korean cinema's role in helping to galvanize activist social movements across several identity-based categories"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Minorities in motion pictures. |2 fast |0 (OCoLC)fst01023282 | |
| 650 | 7 | |a Human rights in motion pictures. |2 fast |0 (OCoLC)fst01903533 | |
| 650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
| 650 | 6 | |a Minorites au cinema. | |
| 650 | 6 | |a Cinema |z Coree du Sud |x Histoire |y 21e siecle. | |
| 650 | 6 | |a Cinema |z Coree du Sud |x Histoire |y 20e siecle. | |
| 650 | 0 | |a Minorities in motion pictures. | |
| 650 | 0 | |a Human rights in motion pictures. | |
| 650 | 0 | |a Motion pictures |z Korea (South) |x History |y 21st century. | |
| 650 | 0 | |a Motion pictures |z Korea (South) |x History |y 20th century. | |
| 651 | 7 | |a Korea (South) |2 fast |0 (OCoLC)fst01206791 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Diffrient, David Scott, |d 1972- |e author. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/102628/ |
| 945 | |a Project MUSE - Custom Collection | ||