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Authenticating Whiteness : Karens, Selfies, and Pop Stars /

"In Authenticating Whiteness: Karens, Selfies, and Pop Stars, Rachel E. Dubrofsky explores the idea that popular media implicitly portrays whiteness as credible, trustworthy, familiar, and honest, and that this portrayal is normalized and ubiquitous. Whether on television, film, social media, o...

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Detalles Bibliográficos
Autor principal: Dubrofsky, Rachel E. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, 2022.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dubrofsky, Rachel E.,  |e author. 
245 1 0 |a Authenticating Whiteness :   |b Karens, Selfies, and Pop Stars /   |c Rachel E. Dubrofsky. 
264 1 |a Jackson :  |b University Press of Mississippi,  |c 2022. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2022. 
300 |a 1 online resource (184 pages). 
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490 0 |a Race, Rhetoric, and Media series 
505 0 |a Authentic emotion -- Authentic monstrosity -- Authentic redemption -- Authentic irony -- Authentic Whiteness -- Authentic antiracism? 
520 |a "In Authenticating Whiteness: Karens, Selfies, and Pop Stars, Rachel E. Dubrofsky explores the idea that popular media implicitly portrays whiteness as credible, trustworthy, familiar, and honest, and that this portrayal is normalized and ubiquitous. Whether on television, film, social media, or in the news, white people are constructed as believable and unrehearsed, from the way they talk to how they look and act. Dubrofsky argues that this way of making white people appear authentic is a strategy of whiteness, requiring attentiveness to the context of white supremacy in which the presentations unfold. The volume details how ideas about what is natural, good, and wholesome are reified in media, showing how these values are implicitly racialized. Additionally, the project details how white women are presented as particularly authentic when they seem to lose agency by expressing affect through emotional and bodily displays. The chapters examine a range of popular media-newspaper articles about Donald J. Trump, a selfie taken at Auschwitz, music videos by Miley Cyrus, the television series UnREAL, the infamous video of Amy Cooper calling the police on an innocent Black man, and the documentary Miss Americana-pinpointing patterns that cut across media to explore the implications for the larger culture in which they exist. At its heart, the book asks: Who gets to be authentic? And what are the implications?"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a White people  |x Race identity.  |2 fast  |0 (OCoLC)fst01174825 
650 7 |a Race in mass media.  |2 fast  |0 (OCoLC)fst01930803 
650 0 |a White people  |x Race identity. 
650 0 |a Race in mass media. 
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945 |a Project MUSE - 2022 Music 
945 |a Project MUSE - 2022 American Studies 
945 |a Project MUSE - 2022 Complete