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Selfie Aesthetics : Seeing Trans Feminist Futures in Self-Representational Art /

"In Selfie Aesthetics, Nicole Erin Morse argues that selfies, and selfies by trans feminine creators specifically, interpellate viewers in politically committed encounters. Morse's close readings of individual selfies uncover complex formal strategies that belie the sense that these are ar...

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Detalles Bibliográficos
Autor principal: Morse, Nicole Erin, 1987- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2022.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Morse, Nicole Erin,  |d 1987-  |e author. 
245 1 0 |a Selfie Aesthetics :   |b Seeing Trans Feminist Futures in Self-Representational Art /   |c Nicole Erin Morse. 
264 1 |a Durham :  |b Duke University Press,  |c 2022. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2022. 
300 |a 1 online resource:   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Doubling -- Gender performatives and selfie improvisatives -- Visibility politics and selfie seriality -- Selfie time(lines) -- Trans feminist futures. 
520 |a "In Selfie Aesthetics, Nicole Erin Morse argues that selfies, and selfies by trans feminine creators specifically, interpellate viewers in politically committed encounters. Morse's close readings of individual selfies uncover complex formal strategies that belie the sense that these are artless or disposable media. Rather than narcissistic or frivolous, selfie creators are artists in political networks who present improvisational identities and new modes of performative resistance. Focusing on four formal strategies-doubling, seriality, collaborative improvisation, and nonlinear temporalities-Selfie Aesthetics shows not only the art of the polysemic form, but also the materialities of trans life that selfies convey. Tracing these strategies in selfies and self-representational art by artists including Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, Selfie Aesthetics demonstrates the aesthetic depth and political utility of selfie creation, distribution, and reception. Contributing to trans feminist political analysis, Selfie Aesthetics shows how digital self-representational art can nuance key insights of queer theory, expand our understanding of self-representation, and construct collective and collaborative modes of being"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Transgender women.  |2 fast  |0 (OCoLC)fst02003494 
650 7 |a Transgender people in art.  |2 fast  |0 (OCoLC)fst01920728 
650 7 |a Transgender artists.  |2 fast  |0 (OCoLC)fst01895683 
650 7 |a Self-presentation in art.  |2 fast  |0 (OCoLC)fst01111878 
650 7 |a Portrait photography  |x Social aspects.  |2 fast  |0 (OCoLC)fst01072266 
650 7 |a Feminism in art.  |2 fast  |0 (OCoLC)fst00922751 
650 7 |a SOCIAL SCIENCE / Media Studies.  |2 bisacsh 
650 7 |a PHOTOGRAPHY / Criticism.  |2 bisacsh 
650 6 |a Feminisme dans l'art. 
650 6 |a Transgenres feminins. 
650 6 |a Artistes transgenres. 
650 6 |a Transgenres dans l'art. 
650 6 |a Presentation de soi dans l'art. 
650 6 |a Portraits (Photographie)  |x Aspect politique. 
650 6 |a Portraits (Photographie)  |x Aspect social. 
650 6 |a Égoportraits  |x Aspect social. 
650 0 |a Feminism in art. 
650 0 |a Transgender women. 
650 0 |a Transgender artists. 
650 0 |a Transgender people in art. 
650 0 |a Self-presentation in art. 
650 0 |a Portrait photography  |x Political aspects. 
650 0 |a Portrait photography  |x Social aspects. 
650 0 |a Selfies (Photography)  |x Social aspects. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/100132/ 
945 |a Project MUSE - Custom Collection