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Crafting the landscape photograph with Lightroom Classic and Photoshop techniques for realizing the full potential of your photography /
Realize the full potential of your photography and produce breathtaking landscape images using Lightroom Classic and Photoshop! You can follow all the tried-and-true rules of great landscape photography--shooting in great light, making sure to have a clear subject in the scene, and maximizing sharpn...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
San Rafael, CA :
Rocky Nook,
2023.
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| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
| LEADER | 00000cam a22000007a 4500 | ||
|---|---|---|---|
| 001 | OR_on1385454975 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||||||| | ||
| 008 | 230624s2023 cau o 001 0 eng d | ||
| 040 | |a EBLCP |b eng |c EBLCP |d ORMDA |d OCLCF |d OCLCO | ||
| 020 | |a 9781681989907 | ||
| 020 | |a 1681989905 | ||
| 029 | 1 | |a AU@ |b 000074931080 | |
| 035 | |a (OCoLC)1385454975 | ||
| 037 | |a 9781681989907 |b O'Reilly Media | ||
| 050 | 4 | |a TR660 | |
| 082 | 0 | 4 | |a 778.93/6 |2 23/eng/20230627 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Willmore, Ben. | |
| 245 | 1 | 0 | |a Crafting the landscape photograph with Lightroom Classic and Photoshop |h [electronic resource] : |b techniques for realizing the full potential of your photography / |c Ben Willmore. |
| 260 | |a San Rafael, CA : |b Rocky Nook, |c 2023. | ||
| 300 | |a 1 online resource (233 p.) | ||
| 500 | |a Description based upon print version of record. | ||
| 500 | |a Includes index. | ||
| 505 | 0 | |a Cover -- Title Page -- Copyright -- Dedication -- About the Author -- Contents -- Foreword -- Introduction -- Section I. Fundamental Concepts -- Chapter 1. Develop a Lightroom + Photoshop Mindset -- In-Camera versus Post-Processing -- Pixels versus Parameters -- Browsing versus Cataloging -- The Best of Both Worlds -- Chapter 2. Working in Lightroom Classic -- Importing -- Choosing an Ideal Image -- Initial Adjustments -- Masked Adjustments -- Retouching -- Round-Tripping to Photoshop -- Exporting -- Chapter 3. Working in Photoshop -- Workflow Considerations -- Selections and Masks | |
| 505 | 8 | |a Adjustments -- Layers -- Retouching -- Section II. Quality Considerations -- Chapter 4. Eliminate Shooting Artifacts -- Underexposure -- Noise -- Hot Highlights -- Blown-Out Skies -- Backlit -- High-Contrast Scenes -- Keystoning -- Chromatic Aberration -- Crooked Horizons -- Lens Flare -- Vignetting and Distortion -- Reducing Haze -- Chapter 5. Extend Potential with Multiple Exposures -- Extend Dynamic Range -- Stitch Raw Panoramas -- Photoshop Panoramas -- Combine Fast and Slow -- Mix Multiple Moments -- Add or Subtract Variance -- Reduce Mist or Fog -- Increase Haze or Water -- Sky Replacement | |
| 505 | 8 | |a Expand Depth of Field -- Pull Far Objects Close -- Section III. Crafting a Photograph -- Chapter 6. Lead the Eye -- Establish a Focal Point -- Take Inventory of Scene -- Assemble Your Toolbox -- Reduce the Negative -- Emphasize the Positive -- Optimize Lighting -- Create a Reason to Linger -- Chapter 7. Add Dimension, Atmosphere & Drama -- Increase Depth and Dimension -- Add Atmospheric Depth -- Add Ethereal Glow -- Suspend Reality with Black and White -- Selective Focus -- Simulate Long Exposure -- Enhanced God Rays -- Color Contrast of Area -- Color Contrast of Objects -- Add Flare or Sunburst | |
| 505 | 8 | |a High Contrast -- Chapter 8 Produce Engaging Color -- Global Adjustments -- Selective Adjustments -- Increase Color Variation -- Contrast of Color Intensity -- Enhance Monochromatic Sunrises and Sunsets -- Learn to Visualize Color -- Chapter 9. Eliminate Processing Artifacts -- Over-Editing -- Object Halos -- Masking Artifacts -- Posterization -- Panorama Artifacts -- HDR Artifacts -- Conclusion -- Acknowledgments -- Index | |
| 520 | |a Realize the full potential of your photography and produce breathtaking landscape images using Lightroom Classic and Photoshop! You can follow all the tried-and-true rules of great landscape photography--shooting in great light, making sure to have a clear subject in the scene, and maximizing sharpness throughout the image--and yet your photos can still somehow fall flat. Compared to others' work you see online or in print, there just seems to be something missing: your images are a bit bland, while others' work is often inspiring, lively, and beautiful. What gives? The difference can often be found in the photographer's post-processing techniques in Lightroom Classic and Photoshop that they use to help direct the viewer's eye and make their images come alive. This kind of post-processing is not about "fixing mistakes" but is an essential part of the successful landscape photographer's contemporary workflow. Photographer and author Ben Willmore has spent over 30 years refining his own images and workflow, written more than a dozen books, and led photo workshops around the world. All in all, he has taught more than 100,000 photographers in person, so he knows the questions, concerns, and frustrations that landscape photographers have. In this book, you'll learn how to use Lightroom Classic and Photoshop in order to transform your captures into something you can truly be proud of. From shooting techniques that help you capture the most robust RAW file at the highest quality possible to developing your images in Lightroom Classic and Photoshop, Ben covers global and local adjustments, masking, selections, layers, color, luminance, sharpness, multi-image composites, focus stacking, and much more. Topics include: • Idealized color and color grading • Detail and sharpness • Separation and depth • Establishing balance • Creating compelling contrast • Leading the eye • Dodging and burning • Black and white • Eliminating artifacts and distractions • Adding emotion • Producing a coherent body of work • Panoramas and HDR Ben teaches you not only about "learning the tools" but about applying these tools to your work in such a way that you can direct the viewer's eye through your photograph via the use of contrast, brightness, color, tone, framing, and detail. By learning how to use and apply these techniques to your own work in an intentional, expressive way, you'll be equipped to elevate your work and finally make the kinds of landscape photographs you've always wanted to make. TABLE OF CONTENTS Part 1: Accumulate Expertise Chapter 1: Develop a Lightroom + Photoshop Mindset Chapter 2: Working in Lightroom Classic Chapter 3: Working in Photoshop Part 2: Quality Considerations Chapter 4: Eliminate Shooting Artifacts Chapter 5: Extend Potential with Multiple Exposures Chapter 6: Eliminate Processing Artifacts Part 3: Essential Techniques Chapter 7: Lead the Eye Chapter 8: Add Dimension, Atmosphere, & Drama Conclusion. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 630 | 0 | 0 | |a Adobe Photoshop lightroom. |
| 630 | 0 | 0 | |a Adobe Photoshop. |
| 630 | 0 | 7 | |a Adobe Photoshop |2 fast |
| 630 | 0 | 7 | |a Adobe Photoshop lightroom |2 fast |
| 650 | 0 | |a Landscape photography. | |
| 650 | 0 | |a Image processing |x Digital techniques. | |
| 650 | 0 | |a Photography |x Digital techniques. | |
| 650 | 6 | |a Photographie de paysages. | |
| 650 | 6 | |a Traitement d'images |x Techniques numériques. | |
| 650 | 6 | |a Photographie numérique. | |
| 650 | 7 | |a digital imaging. |2 aat | |
| 650 | 7 | |a Image processing |x Digital techniques |2 fast | |
| 650 | 7 | |a Landscape photography |2 fast | |
| 650 | 7 | |a Photography |x Digital techniques |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Willmore, Ben |t Crafting the Landscape Photograph with Lightroom Classic and Photoshop |d La Vergne : Rocky Nook,c2023 |z 9781681989891 |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9781681989907/?ar |z Texto completo (Requiere registro previo con correo institucional) |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL7264262 | ||
| 994 | |a 92 |b IZTAP | ||