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Advanced visual effects compositing : techniques for working with problematic footage /

"In Advanced Visual Effects Compositing: Techniques for Working with Problematic Footage, learn to tackle difficult visual effect composites in layer-based and node-based compositing programs. In this book, industry veteran and compositing expert Lee Lanier offers tips, tricks, techniques, and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lanier, Lee, 1966- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Routledge/ Taylor & Francis Group, [2017]
Temas:
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)

MARC

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100 1 |a Lanier, Lee,  |d 1966-  |e author. 
245 1 0 |a Advanced visual effects compositing :  |b techniques for working with problematic footage /  |c Lee Lanier. 
264 1 |a New York :  |b Routledge/ Taylor & Francis Group,  |c [2017] 
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500 |a Includes index. 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
505 0 |a Cover; Half Title; Title Page; Copyright Page; Table of Contents; Introduction; Chapter 1: Keying Difficult Green Screen; Chroma Keying Overview; Sidebar: The State of Chroma Keying; Green Screen Problems and Solutions; Keying Challenge A; Layer-Based Solution for Challenge A; Applying the Initial Key; Keying on Different Layers; Node-Based Solution for Challenge A; Applying the Initial Key; Keying Different Branches; Sidebar: Hybrid Rendering; Keying Challenge B; Layer-Based Solution for Challenge B; Creating a Luma Key; Node-Based Solution for Challenge B; Creating a Luma Key. 
505 8 |a Final Chroma Keying ThoughtsChapter 2: Motion Tracking Elusive Patterns; Motion Tracking Overview; Motion Tracking Problems and Solutions; Tracking Challenge A; Layer-Based Solution for Challenge A; Transform Tracking; Applying the Tracking Data; Separating Foreground Objects with a Luma Mask; Node-Based Solution for Challenge A; Transform Tracking; Applying the Tracking Data; Separating Foreground Objects with a Luma Mask; Tracking Challenge B; Layer-Based Solution for Challenge B; 3D Camera Tracking; Applying 3D Tracking Data; Sidebar: 3D Camera Tracking in Fusion. 
505 8 |a Final Motion Tracking ThoughtsChapter 3: Relighting in the Composite; Color Grading and Relighting Overview; Lighting Problems and Solutions; Relighting Challenge; Layer-Based Solution for Relighting Challenge; Node-Based Solution for Relighting Challenge; Final Relighting Thoughts; Chapter 4: Fixing and Repairing Plates; Plate Repair and Paint Fix Overview; Paint Fix and Plate Repair Problems and Solutions; Paint Fix Challenge; Layer-Based Solution for Paint Fix Challenge; Node-Based Solution for Paint Fix Challenge; Plate Repair Challenge; Layer-Based Solution for Plate Repair Challenge. 
505 8 |a Node-Based Solution for Plate Repair ChallengeFinal Fixing and Repairing Thoughts; Chapter 5: Replicating Artifacts; Film and Video Artifact Overview; Artifact Problems and Solutions; Film Artifact Challenge; Layer-Based Solution for Film Artifact Challenge; Adding Judder, Dust, Dirt, and Grain; Interlacing; Adding Film Weave and Lone Hairs and Scratches; Color Fading; Node-Based Solution for Film Artifact Challenge; Interlacing; Adding Dust, Dirt, Grain, and Weaving; Adding Lone Hairs and Scratches; Color Fading; Final Artifact Replication Thoughts; Chapter 6: Adding Depth to Flat Scenes. 
505 8 |a 2D, 2.5D, and 3D OverviewDepth Solutions; Depth Challenge; Layer-Based Solution for Depth Challenge; Preparing Cards; Working in the 3D Environment; Node-Based Solution for Depth Challenge; Final Depth Thoughts; Chapter 7: Using Imperfect FX Elements; FX Elements Overview; FX Element Problems and Solutions; Stock FX Element Challenge; Layer-Based Solution for FX Element Challenge; Node-Based Solution for FX Element Challenge; Keying and Merging the Smoke; Rendering and Combining Smoke Iterations; Particle FX Challenge; Layer-Based Solution for Particle FX Challenge. 
520 |a "In Advanced Visual Effects Compositing: Techniques for Working with Problematic Footage, learn to tackle difficult visual effect composites in layer-based and node-based compositing programs. In this book, industry veteran and compositing expert Lee Lanier offers tips, tricks, techniques, and workflows for difficult visual effects shots, including poorly shot green screen, moving shots with no visible motion tracking marks, shots requiring three-dimensional (3D) elements that lack 3D renders, poor-quality stock footage, and incorrectly lit shots. Lanier details the common problems of visual effects shots and offers practical solutions using examples from Adobe After Effects and Blackmagic Design Fusion. An accompanying eResource (www.routledge.com/9781138668348) features video image sequences, 3D renders, and other tutorial materials, allowing you to practice the discussed techniques. The visual effects challenges covered in this book include: Chroma keying; Motion tracking; Relighting in the composite; Repairing plates; Replicating damage; Adding depth with 2.5D; Working with stock footage"--Provided by publisher 
590 |a O'Reilly  |b O'Reilly Online Learning: Academic/Public Library Edition 
650 0 |a Cinematography  |x Special effects  |x Data processing. 
650 0 |a Motion pictures  |x Editing. 
650 0 |a Photomontage. 
650 6 |a Cinéma  |x Effets spéciaux  |x Informatique. 
650 6 |a Montage (Cinéma) 
650 6 |a Photomontage. 
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650 7 |a Motion pictures  |x Editing  |2 fast 
650 7 |a Photomontage  |2 fast 
776 0 8 |i Print version:  |a Lanier, Lee, 1966-  |t Advanced visual effects compositing.  |d New York : Routledge/ Taylor & Francis Group, [2017]  |z 9781138668317  |w (DLC) 2016039432 
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