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Beyond spatial montage : windowing, or the cinematic displacement of time, motion, and space /
Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space offers an extended discussion of the morphology and structure of compositing, graphic juxtapositions, and montage employed in motion pictures. Drawing from the history of avant-garde and commercial cinema, as...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Routledge,
2016.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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|---|---|---|---|
| 001 | OR_ocn944177881 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr unu|||||||| | ||
| 008 | 160309s2016 nyua ob 001 0 eng d | ||
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| 035 | |a (OCoLC)944177881 | ||
| 037 | |a CL0500000720 |b Safari Books Online | ||
| 050 | 4 | |a TR899 | |
| 082 | 0 | 4 | |a 777/.5 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Betancourt, Michael, |d 1970- |e author. | |
| 245 | 1 | 0 | |a Beyond spatial montage : |b windowing, or the cinematic displacement of time, motion, and space / |c Michael Betancourt. |
| 264 | 1 | |a New York, NY : |b Routledge, |c 2016. | |
| 300 | |a 1 online resource (1 volume) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | |a Description based on online resource; title from title page (viewed March 4, 2016). | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a 1. Introduction -- 2. Realism -- 3. Windowing -- 4. Taxonomy -- 5. Conclusions. | |
| 520 | |a Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space offers an extended discussion of the morphology and structure of compositing, graphic juxtapositions, and montage employed in motion pictures. Drawing from the history of avant-garde and commercial cinema, as well as studio-based research, here media artist and theorist Michael Betancourt critiques cinematic realism and spatial montage in motion pictures. This new taxonomic framework for conceptualizing linkages between media art and narrative cinema opens new areas of experimentation for today's film editors, motion designers, and other media artists. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Motion pictures |x Editing. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Cinematography. | |
| 650 | 0 | |a Motion pictures. | |
| 650 | 6 | |a Montage (Cinéma) | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a cinematography. |2 aat | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Cinematography |2 fast | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 650 | 7 | |a Motion pictures |x Editing |2 fast | |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9781317359142/?ar |z Texto completo (Requiere registro previo con correo institucional) |
| 994 | |a 92 |b IZTAP | ||