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Rig it right! : Maya animation rigging concepts /
Rigging a character can be a complicated undertaking. Move from a bi-pedal character to a quad- or poly-pedal and, well, things just got real. Where do you begin? Unlike all of those button-pushing manuals out there, Rig it Right! breaks down rigging so that you can achieve a fundamental understandi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Burlington, MA :
Focal Press,
2013.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a O'Hailey, Tina. | |
| 245 | 1 | 0 | |a Rig it right! : |b Maya animation rigging concepts / |c Tina O'Hailey. |
| 260 | |a Burlington, MA : |b Focal Press, |c 2013. | ||
| 300 | |a 1 online resource (xxii, 280 pages) : |b illustrations (chiefly color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half Title; Title Page; Copyright; Contents; Acknowledgments; Introduction; Basic Rules of Rigging; Taking Control of Your Outliner/Hypergraph/History; Introduction to Nodes; How to Find the Transform and Shape Nodes; Looking Under the Hood; Part I: Basic Concepts; Chapter 1. Props, Pivot Points, Hierarchies; Zero-ing Out; Using Group Nodes to Hold Animation; Making Children; Lock What Isn't Going to be Animated; What to Do If You Have Hidden Attributes and Want Them Back; Pushing the Concept; Chapter 2. Deformers; Non-Linear Deformers; Changing Deformation Order; Lattice; Cluster. | |
| 505 | 8 | |a Super ToothbrushOther Deformers; Chapter 3. User Controllers; One-to-one Controllers; Connection Editor; To Limit the Controllers; Adding More Animator's Controllers; A New Type of Connection: Constraint Connections for Translate, Scale, Rotate; Clean-up Time; Adding Scale to Our Rig; Chapter 4. Utility Nodes and Custom Attributes; Utility and Low/High Resolution Switch; How Do We Create a Custom Attribute on an Existing Controller?; ENUM; "One to Many" Connections; Chapter 5. Joints; Joints are Tricky Things; Orient Joints; Character With a Skeleton: Googly-eyed Puppet. | |
| 505 | 8 | |a Check Your Joint Rotational AxisCreating the Right Arm the Easy Way; Simple IK Arm; Waist Control; Main Move for the Character; Interactive Skinning; Them Eyes; Cleaning Up; Scale; Jaw Controller; Head Controller; Chapter 6. Blendshapes and Set Driven Key; Hooking a Controller Up to a Blendshape; Blendshape Weights; Adding Controllers; Set Driven Key; Set Driven Key to do Automatic Corrective Blendshapes; Set Driven Key to Drive a Forward Kinematic Tentacle; More Advanced Controller Setup; Extra Effort; Part II: The Biped; Chapter 7. The Biped; The Leg; The Spine; Joint Orientations. | |
| 505 | 8 | |a The Arms/WingsOrient Joints; Hands/Feathers; Clavicle; Mirror Wings; That Bone's Connected to the Other Bone; Helper Joints; Finishing Up; Chapter 8. Skinning; Pipeline 1: Creating Proxies Manually then Skinning the Low-res Geometry; Skinning; Skinning the Bird; Mirror Skin Weights; Painting Skin Weights; Creating Proxies; Joint Adjustment; Chapter 9. Upper Body, Lower Body, Root: Always Have a Cha-cha; Upper_Body_CNTRL and Lower_Body_CNTRL; Root_CNTRL; CNTRL Hierarchy; Chapter 10. Feet and Knees: Simple, Group-based, and Joint-based Feet; Peel Heel; Toe Tap; Tippy Toe; Main Foot Movement. | |
| 505 | 8 | |a Locking Them Down BossAdding Controls for the Animator; The Knee; Cleaning Up; Chapter 11. Spines: FK, Spline, SDK (Set Driven Key); FK Spine; Set Driven Key Spine; Spline Spine; Chapter 12. Arms, Elbows, and Clavicles: Single-chain, Triple-chain with Wrist Twist (SDK or Cluster); Functionality; IK/FK Switching Methods; Not All Arms are Created Equal; Down to Rigging that Arm: The Abstracted Steps; Single Chain Method; Chapter 13. Hands: SDK, SDK and Keyable CNTRLS; A Simple Set Driven Key; To Clean Up that Rig; Chapter 14. Eyes, Blinks, and Smiles; Joints; Groups; Fancy-smooshy Eyes. | |
| 520 | |a Rigging a character can be a complicated undertaking. Move from a bi-pedal character to a quad- or poly-pedal and, well, things just got real. Where do you begin? Unlike all of those button-pushing manuals out there, Rig it Right! breaks down rigging so that you can achieve a fundamental understanding of the concept, allowing you to rig more intuitively in your own work. Veteran animation professor Tina O'Hailey will get you up and rigging in a matter of hours with step-by-step tutorials covering multiple animation control types, connection methods, interactive skinning, Blend. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 630 | 0 | 0 | |a Maya (Computer file) |
| 630 | 0 | 7 | |a Maya (Computer file) |2 blmlsh |
| 630 | 0 | 7 | |a Maya (Computer file) |2 fast |
| 650 | 0 | |a Rigging (Computer animation) | |
| 650 | 0 | |a Computer animation. | |
| 650 | 0 | |a Three-dimensional display systems. | |
| 650 | 6 | |a Animation squelettale. | |
| 650 | 6 | |a Animation par ordinateur. | |
| 650 | 6 | |a Affichage tridimensionnel. | |
| 650 | 7 | |a computer animation. |2 aat | |
| 650 | 7 | |a three-dimensional. |2 aat | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Video & Animation. |2 bisacsh | |
| 650 | 7 | |a Computer animation |2 fast | |
| 650 | 7 | |a Rigging (Computer animation) |2 fast | |
| 650 | 7 | |a Three-dimensional display systems |2 fast | |
| 776 | 0 | 8 | |i Print version: |a O'Hailey, Tina. |t Rig it right! |d Burlington, MA : Focal Press, 2013 |z 9780240820798 |w (OCoLC)806017533 |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780240820798/?ar |z Texto completo (Requiere registro previo con correo institucional) |
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