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Chris Marker /
"Having spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s and developed a distinctive style involving still images, Chris Marker (born Christian François Bouche-Villeneuve) stands among the most influential filmmakers of the postwar era, yet remains enigmatic. His notorious re...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
©2006.
|
| Colección: | Contemporary film directors.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Alter, Nora M., |d 1962- | |
| 245 | 1 | 0 | |a Chris Marker / |c Nora M. Alter. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c ©2006. | |
| 300 | |a 1 online resource (xv, 205 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Contemporary film directors | |
| 504 | |a Includes bibliographical references (pages 187-198) and index. | ||
| 504 | |a "Bibliography of Chris Marker's writings": pages 179-185. | ||
| 504 | |a Includes filmography: pages 151-178. | ||
| 505 | 0 | |a "The cat who walks by himself" -- Introduction : the solitary cat -- The elephant's memory : the filmed essay -- The wolves : political filmmaking -- The wise owl : questioning/expanding from -- Chris Marker interviews and writings 1962-98. | |
| 520 | |a "Having spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s and developed a distinctive style involving still images, Chris Marker (born Christian François Bouche-Villeneuve) stands among the most influential filmmakers of the postwar era, yet remains enigmatic. His notorious reclusiveness has led to surprisingly few studies, and Nora M. Alter's Chris Marker presents the first English-language study of the unpredictable and reclusive director who remains politically and artistically influential. Marker's 1953 debut "filmic essay," The Statues Also Die (with Alain Resnais) exposed the European art market's complicity in the former Belgian Congo atrocities, and provided a bold model for other politically committed filmmakers. Thus began Marker's long struggle against global injustice, a trajectory that included his involvement with Night and Fog, La Jetée, Le Joli Mai, Far from Vietnam, Le fond du l'air est Rouge, and Prime Time in the Camps. Alter's careful study includes interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational career that defies easy classification."--Publisher's description. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Marker, Chris, |d 1921-2012 |x Criticism and interpretation. |
| 600 | 1 | 4 | |a Marker, Chris, |d 1921-2012. |
| 600 | 1 | 7 | |a Marker, Chris, |d 1921-2012 |2 fast |
| 600 | 1 | 7 | |a Marker, Chris |d 1921-2012 |2 gnd |
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| 600 | 1 | 7 | |a Marker, Chris |v entretien. |2 rero |
| 600 | 1 | 7 | |a Marker, Chris. |2 swd |
| 650 | 7 | |a 24.32 history of film art. |0 (NL-LeOCL)077601394 |2 bcl | |
| 650 | 7 | |a PERFORMING ARTS / General |2 bisacsh | |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 1 | 7 | |a Films. |2 gtt |
| 650 | 7 | |a Film. |2 idszbz | |
| 650 | 7 | |a Regissörer. |2 sfit | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Alter, Nora M., 1962- |t Chris Marker. |d Urbana : University of Illinois Press, ©2006 |z 0252030737 |w (DLC) 2005028936 |w (OCoLC)61879670 |
| 830 | 0 | |a Contemporary film directors. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5406/jj.6380618 |z Texto completo |
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