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Dreams in double time : on race, freedom, and bebop /

"Dreams in Double Time examines how bebop, a musical genre developed by Black experimentalists in the 1940s, was especially generative for nonwhite listeners in the years following World War II. To construct this cultural history of jazz, Jonathan Leal links three (audio)biographical narratives...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Leal, Jonathan, 1989- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2023.
Colección:Refiguring American music.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Leal, Jonathan,  |d 1989-  |e author. 
245 1 0 |a Dreams in double time :  |b on race, freedom, and bebop /  |c Jonathan Leal. 
264 1 |a Durham :  |b Duke University Press,  |c 2023. 
300 |a 1 online resource (xiii, 238 pages) :  |b illustrations 
336 |a text  |2 rdacontent 
337 |a computer  |2 rdamedia 
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490 1 |a Refiguring American music 
588 |a Description based on print version record. 
504 |a Includes bibliographical references and index. 
505 0 |a After-hours -- Layered time -- Quartered notes -- Among others. 
520 |a "Dreams in Double Time examines how bebop, a musical genre developed by Black experimentalists in the 1940s, was especially generative for nonwhite listeners in the years following World War II. To construct this cultural history of jazz, Jonathan Leal links three (audio)biographical narratives: James T. Araki, a Nisei multi-instrumentalist and scholar credited with helping introduce bebop to Japan during the Allied Occupation; Raúl R. Salinas, a Mexican American poet, jazz critic, and activist working against the American criminal justice system who helped document East Austin's rich music histories; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before eventually working as a public servant in Newark's City Hall in response to the uprisings of the late sixties. The book begins with a cultural history of the emergence of bebop in Harlem and then dedicates a chapter to each of these figures, contextualizing their stories and building connections between their stories. Grounded in musical practice, relational study, and personal narrative, Dreams in Double Time offers a powerful and poetic cultural history of communal creativities in the postwar years"--  |c Provided by publisher. 
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600 1 0 |a Araki, James T. 
600 0 0 |a Raúlrsalinas,  |d 1934-2008. 
600 1 0 |a Wing, Harold. 
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650 0 |a Jazz  |z Japan  |x History and criticism. 
650 0 |a Bop (Music)  |x History and criticism. 
650 0 |a Jazz  |x Social aspects  |z United States  |x History  |y 20th century. 
650 0 |a Music and race  |z United States  |x History  |y 20th century. 
651 0 |a Harlem (New York, N.Y.)  |x Intellectual life  |y 20th century. 
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651 7 |a Japan.  |2 fast  |0 (OCoLC)fst01204082 
651 7 |a New York (State)  |z New York  |z Harlem.  |2 fast  |0 (OCoLC)fst01312318 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Leal, Jonathan, 1989-  |t Dreams in double time.  |d Durham : Duke University Press, 2023  |z 9781478020752  |z 9781478019985  |w (DLC) 2022045887  |w (OCoLC)1355021195 
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