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Grand-Guignol cinema and the horror genre : sinister tableaux of dread, corporeality and the senses /

"Grand-Gugignol Cinema and the Horror Genre maps important contributions of the Parisian Grand-Guignol theatre's Golden Age as theoretical considerations of embodiment and affect in the development of horror cinema in the twentieth century. This study traces key components of the Grand-Gui...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: DeGiglio-Bellemare, Mario, 1965- (Author)
Format: Electronic eBook
Language:Inglés
Published: London : Anthem Press, 2023.
Series:Anthem series on exploitation and industry in world cinema.
Subjects:
Online Access:Texto completo
Table of Contents:
  • Introduction: Grand-Guignol Cinema and the senses: Eyes Without a Face, attractions, affect and facial trauma
  • The Grand-Guignol Theatre: A short history of the theatre and spatial ecologies of dread: The Hitch-Hiker and Shivers
  • Grotesque carnivals of "stubborn" aurality: Embodied discourse in early talkie horror cinema: Murders in the Rue Morgue, Freaks, and The Black Cat
  • The sight of corpses in the ruins of modernity: Surgical sadists under censorship: The Body Snatcher, and Mad Love, The Blood of the Beasts
  • Erotic abattoirs of bad taste: Unproductive potlatch in exploitation cinema: Fascination, Grapes of Death, and Salò, or 120 Days of Sodom
  • French colonial skinning: Affect and becoming-wound in the cinema of sensation: Trouble Every Day, Sombre, and In My Skin
  • Conclusion: Drag performativity and multisensorial dread: Blood and Black Lace and Psycho.