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230209s2023 enka ob 001 0 eng d |
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|d JSTOR
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|a GBC373213
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|a 021009676
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|a 1800109016
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|a 9781800109018
|q (electronic bk.)
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|a UKMGB
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|a (OCoLC)1369639310
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|a ML112
|b .M39 2023
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|a MUS
|x 006000
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|a 070.57940944
|2 23/eng/20230220
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|a UAMI
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|a Mawer, Deborah,
|d 1961-
|e author.
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|a Accenting the classics :
|b editing European music in France, 1915-1925 /
|c Deborah Mawer, Barbara L. Kelly, Rachel Moore, Graham Sadler.
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|a Woodbridge :
|b The Boydell Press,
|c 2023.
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|a 1 online resource (xviii, 364 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a Includes bibliographical references and index.
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|a Introduction -- Part I. Durand and his Édition Classique. The historical evolution of the Édition Classique ; Charting the Édition : production data, musical contents and relationships -- Part II: Composer-editor case studies. 'De-Germanising' music publishing : Dukas's Beethoven in wartime France ; Mozart as 'classic' in early twentieth-century France : the case of Saint-Saëns's Mozart editions ; Making Mendelssohn (more) French : Ravel and Six pièces enfantines ; Accenting Bach : an editorial trajectory from Fauré to Roger-Ducasse ; Repackaging the old masters : the place of early keyboard music in the Édition Classique ; Debussy's homage to Chopin : as editor, performer and composer -- Part III. Beyond editing : pedagogy, performance, composition. The Édition Classique in action : pedagogy and performance ; The Édition Classique and French neoclassicism : L'école moderne as exemplar -- Afterword.
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|a Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's Édition Classique.
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|a Description based on online resource; title from digital title page (viewed on March 14, 2023).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Music publishing
|z France
|x History
|y 20th century.
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|a Music
|x Editing
|v Case studies.
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|a Music
|y 18th century
|x History and criticism.
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|a Music
|y 19th century
|x History and criticism.
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|a Music.
|2 fast
|0 (OCoLC)fst01030269
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|a Music
|x Editing.
|2 fast
|0 (OCoLC)fst01030315
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|a Music publishing.
|2 fast
|0 (OCoLC)fst01030595
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|a France.
|2 fast
|0 (OCoLC)fst01204289
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|a 1700-1999
|2 fast
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|a Case studies.
|2 fast
|0 (OCoLC)fst01423765
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Kelly, Barbara L.,
|e author.
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|a Moore, Rachel,
|d 1981 December 14-
|e author.
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|a Sadler, Graham,
|e author.
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|i Print version:
|a Mawer, Deborah
|t Accenting the Classics: Editing European Music in France, 1915-1925
|d Woodbridge : Boydell & Brewer, Incorporated,c2023
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2x4kpb8
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL29796390
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|a ProQuest Ebook Central
|b EBLB
|n EBL29796390
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|a EBSCOhost
|b EBSC
|n 3376526
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|a 92
|b IZTAP
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