The Object as a Process : Essays Situating Artistic Practice /

How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement? This volume is dedicated to the object as a process in order to offer n...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Schmidt-Wulffen, Stephan (Editor ), Duarte, German A., 1983-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : transcript, 2022.
Colección:Edition Kulturwissenschaft.
Temas:
Art > Philosophy.
Object (Aesthetics)
Knowledge, Theory of.
Art.
Artistic Practice.
Cultural Studies.
Cultural Theory.
Culture.
Phenomenology.
Theory of Art.
Art > Philosophie.
Objet (Esthétique)
Théorie de la connaissance.
epistemology.
SOCIAL SCIENCE / Popular Culture.
Art > Philosophy
Knowledge, Theory of
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Contents
  • Foreword
  • Speaking of Things
  • An Introduction
  • The Autonomous Aesthetic of Allure: Mary Bauermeister's Needless Needles and Graham Harman's Object Philosophy
  • Graham Harman's art-object philosophy and Needless Needles
  • Mary Bauermeister's Needless Needles in the mirror of OOO
  • Object aesthetics of Needless Needles
  • Simply things
  • Things and objects
  • Instruments and Devices
  • Poiesis and Technology
  • Gifts and Sacrifices
  • Works of Art
  • Ephemerality and Resistance
  • Conclusions
  • On Poetry
  • Origins and Ends: Understanding the Medium of Painting According to Heidegger's Truth
  • 1. Originating Origins
  • 2. Forestalling Ends
  • 3. Caesura: The End of the End-Painting in the Contracted Field
  • Object as Symbol: Baudrillard's Thanatopoietic Form
  • Prelude: On the Paradoxical Logic of Life
  • Baudrillard's Thanatopoietic Form
  • Framing Symbolic Exchange
  • Symbolic Exchange at Work
  • A Lost Object: Death
  • Pre-Capitalist Death
  • The Death Drive: Freud Bataille
  • Discrete Death: Serres' Quasi-Object
  • Discreet Death: On the Natural and the Safe
  • Salute to Life: Reversibility and Artistic Practice
  • Co-Production: Towards a Relational Ontology of Aesthetic Objects
  • Beyond Hylomorphism: The Relationality of Becoming Plural
  • Inscriptions: Co-Production and the Dephasing of the Filmic Art Object
  • Resume: Artistic Practice as Trans-Individual Becoming
  • Correspondences: Exploring the Echoes of Jack Spicer's Poetics in the Paintings of Matt Connors
  • The Object of Non-Aesthetics
  • Non-Standard Philosophy in Brief
  • Precedents
  • Invariance
  • Matrix
  • Solid Gifts
  • Massimo Bartolini's Untitled Untitled (2001)
  • (Praeludium) Massimo Bartolini's Untitled Untitled
  • A New Nature of Space
  • The Method of postulation
  • The object of the system
  • Figuring the topologic condition
  • Object + Subject = Body. An Equation for a non-Euclidean dimension (peractio)
  • The Lure of Absence: Can there be Process without Artists?
  • Persistent Materials
  • A noisy love affair: The Language of Things in the Works of Mark Leckey and Musa paradisiaca
  • The photographic multiples of Joseph Beuys as an extension of himself
  • Beuys and his own image
  • "I'm a sender, I transmit"
  • The aura of Beuys transmitted through appropriation
  • And today?
  • Obsolescence and reinvention: the case study of João Maria Gusmão and Pedro Paiva
  • Media obsolescence
  • "Zombie media" and material reinvention
  • Case study: Portuguese artist-duo, Gusmao and Paiva
  • Final considerations
  • A Two-Way Mirror: Narcissism and Surveillance from the Closed Circuit to the Network
  • Modernist Reflexivity and Video Reflection
  • The Indexical Beyond the Imprint and the Photograph
  • The Delay and the Recording: The Irruption of the Other's Gaze
  • The Forms of the Electronic Apparatus

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