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Everything is sampled : digital and print mediations in African arts and letters /
"Everything Is Sampled examines the shifting modes of production and circulation of African artistic forms since the 1980s, focusing on digital culture as the most currently decisive setting for these changes. Drawing on works of cinema, literature, music, and visual art, Akin Adesokan addresse...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2023]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Adesokan, Akinwumi, |e author. | |
| 245 | 1 | 0 | |a Everything is sampled : |b digital and print mediations in African arts and letters / |c Akin Adeṣọkan. |
| 246 | 3 | 0 | |a Digital and print mediations in African arts and letters |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2023] | |
| 300 | |a 1 online resource (xix, 371 pages) : |b color illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: The New Terrains of African Arts and Letters -- Shifting Margins -- Modes of Creative Practice -- Spatial Assemblages: Festivals as Curation -- Across the Digital Divide -- The Griot's Compositions in Time -- Adaptation or Remake: New Formats for Old Prints -- Approaching the World as Platform, Literally -- The Remix: Of New Identities and Technologies of Reuse -- Epilogue: In Relative Account. | |
| 520 | |a "Everything Is Sampled examines the shifting modes of production and circulation of African artistic forms since the 1980s, focusing on digital culture as the most currently decisive setting for these changes. Drawing on works of cinema, literature, music, and visual art, Akin Adesokan addresses two main questions. First, given the various changes that the institutions producing African arts and letters have undergone in the past four decades, how have the representational impulses in these forms fared in comparison with those at work in pervasively digital cultures? Second, how might a long view of these artistic forms across media and in different settings affect our understanding of what counts as art, as text, as authorship? Immersed in digital culture, African artists today are acutely aware of the media-saturated circumstances in which they work and actively bridge them by making ethical choices to shape those circumstances. Through an innovative development and analysis of five modes of creative practice-curation, composition, adaptation, formatting, and remix-Everything Is Sampled offers an absorbingly complex yet nuanced approach to appreciating the work of several generations of African writers, directors, and artists. No longer content to just fill a spot in the relay between the conception and distribution of a work, these artists are now also quick to view and reconfigure their works through different modes of creative practice"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on February 20, 2023). | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Arts, African |y 20th century. | |
| 650 | 0 | |a Arts, African |y 21st century. | |
| 650 | 0 | |a Appropriation (Arts) |z Africa. | |
| 650 | 0 | |a Digital media |z Africa. | |
| 650 | 6 | |a Arts africains |y 20e siècle. | |
| 650 | 6 | |a Arts africains |y 21e siècle. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Appropriation (Arts) |2 fast | |
| 650 | 7 | |a Arts, African |2 fast | |
| 650 | 7 | |a Digital media |2 fast | |
| 651 | 7 | |a Africa |2 fast | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 7 | |a Art criticism. |2 lcgft | |
| 655 | 7 | |a Critiques d'art. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Adesokan, Akinwumi. |t Everything is sampled |d Bloomington, Indiana : Indiana University Press, 2023 |z 9780253065650 |w (DLC) 2022042835 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv32bm1nj |z Texto completo |
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