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Walk the barrio : the streets of twenty-first-century transnational Latinx literature /

"The first- and second-generation Latinx authors discussed in Walk the Barrio use their US hometowns as both setting and stylistic inspiration, utilizing various formal techniques to mirror their literary location to the real one. The book presents a "barriography" for each work, whic...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rodriguez, Cristina, 1982- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville : University of Virginia Press, 2022.
Colección:Cultural Frames, Framing Culture.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Rodriguez, Cristina,  |d 1982-  |e author. 
245 1 0 |a Walk the barrio :  |b the streets of twenty-first-century transnational Latinx literature /  |c Cristina Rodriguez. 
263 |a 2206 
264 1 |a Charlottesville :  |b University of Virginia Press,  |c 2022. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Cultural Frames, Framing Culture 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: My hometown, Silver Spring, and the method of Walk the barrio -- West: Mexican American East Los Angeles. Californios to Californians: a brief history of Mexican American Los Angeles -- "A world built on cement": the El Monte aesthetic in Salvador Plascencia's The people of paper -- "Earthquakes or earthmovers": the East L.A. Barrio and Helena María Viramontes's Their dogs came with them -- West: Central American Downtown Los Angeles. Displacement by and as war: Central American L.A. immigration, 1980-2010 -- "Los Angeles was the problem": the war for space in Héctor Tobar's The tattooed soldier -- "The blackouts of a tiny country": the art of William Archila's Salvadoran exile -- East: Dominican New York City. "The one from the other life": the particularities of Dominican transnationalism -- "No promises can survive that sea": diasporic identity in Junot Díaz's This is how you lose her -- "Washington Heights is like a prison sentence": female surveillance in Angie Cruz's Soledad -- South: Cuban Miami. "Brown sugar histories": Cuba and the United States in the twentieth century -- "Why don't I got a street?": Little Havana in Richard Blanco's queer Cuban American Bildungsroman -- Conclusion: Your hometown and other barriographies. 
520 |a "The first- and second-generation Latinx authors discussed in Walk the Barrio use their US hometowns as both setting and stylistic inspiration, utilizing various formal techniques to mirror their literary location to the real one. The book presents a "barriography" for each work, which includes first-person reportage, archival research, human geography, relevant theories of space, and interviews with the author, neighbors, or local historians. Authors considered include Helena María Viramontes, Salvador Plascencia, Héctor Tobar, William Archila, Junot Díaz, Angie Cruz, and Richard Blanco"--  |c Provided by publisher. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a Hispanic American neighborhoods in literature. 
650 0 |a Place (Philosophy) in literature. 
650 0 |a Immigrants in literature. 
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650 6 |a Littérature et transnationalisme  |z États-Unis. 
650 6 |a Quartiers hispaniques dans la littérature. 
650 6 |a Lieu (Philosophie) dans la littérature. 
650 6 |a Immigrants dans la littérature. 
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650 7 |a American literature  |x Hispanic American authors.  |2 fast  |0 (OCoLC)fst00807169 
650 7 |a Hispanic American neighborhoods in literature.  |2 fast  |0 (OCoLC)fst00957427 
650 7 |a Immigrants in literature.  |2 fast  |0 (OCoLC)fst00967800 
650 7 |a Literature and transnationalism.  |2 fast  |0 (OCoLC)fst01762400 
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776 0 8 |i Print version:  |a Rodriguez, Cristina, 1982-  |t Walk the barrio  |d Charlottesville : University of Virginia Press, 2022  |z 9780813948058  |w (DLC) 2022008348 
830 0 |a Cultural Frames, Framing Culture. 
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