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Out of the studio : the photographic innovations of Charles and John Smeaton at home and abroad /

"Photography, one of the most influential inventions of the nineteenth century, has been shaped by Canadian innovators. Among them are two Quebec men who have flown beneath the radar in studies of the history of photography: the Smeaton brothers. Out of the Studio documents the life, oeuvre, an...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Osborne, John, 1951- (Autor), Smeaton, Peter (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022.
Colección:McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Osborne, John,  |d 1951-  |e author. 
245 1 0 |a Out of the studio :  |b the photographic innovations of Charles and John Smeaton at home and abroad /  |c John Osborne and Peter Smeaton. 
264 1 |a Montreal ;  |a Kingston ;  |a London ;  |a Chicago :  |b McGill-Queen's University Press,  |c 2022. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history 
504 |a Includes bibliographical references and index. 
520 |a "Photography, one of the most influential inventions of the nineteenth century, has been shaped by Canadian innovators. Among them are two Quebec men who have flown beneath the radar in studies of the history of photography: the Smeaton brothers. Out of the Studio documents the life, oeuvre, and achievement of Charles Smeaton and his younger brother, John. Launched by the opening of their "photographic gallery" in 1861, they developed a reputation in Quebec for images of contemporaneous people, places, and events taken in challenging outdoor settings. Smeaton pictures of the aftermath of the Great Fire of Quebec in 1866 helped bring an understanding of the disaster to an international audience; images featuring the gold mining industry were displayed at the Exposition universelle in Paris the following year. When Charles travelled to Europe in 1866, he accomplished a feat previously thought impossible, taking the first successful photographs in the Roman catacombs. John moved to Montreal in 1869, where he worked for newspapers and developed techniques for the direct transfer of photographs into print without the necessity of intermediary engravings. Out of the Studio is the first comprehensive biographical study detailing the innovation and imagination of the Smeaton brothers and their legacy of images across two continents."--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on October 06, 2022). 
505 0 0 |t Front Matter --  |t Contents --  |t Preface --  |t Acknowledgments --  |t Origins --  |t Quebec --  |t Rome --  |t Montreal --  |t Afterword --  |t Letter from Alexander Smeaton to Australia, 9 October 1853 --  |t "An Incident in the Catacombs" --  |t Figures --  |t Notes --  |t Bibliography --  |t Index 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
600 1 0 |a Smeaton, Charles,  |d 1838-1868. 
600 1 0 |a Smeaton, John,  |d 1842-1904. 
650 0 |a Photographers  |z Québec (Province)  |v Biography. 
650 0 |a Photography  |z Québec (Province)  |x History  |y 19th century. 
650 6 |a Photographes  |z Québec (Province)  |v Biographies. 
650 6 |a Photographie  |z Québec (Province)  |x Histoire  |y 19e siècle. 
650 7 |a PHOTOGRAPHY / History  |2 bisacsh 
650 7 |a Photographers  |2 fast 
650 7 |a Photography  |2 fast 
651 7 |a Québec  |2 fast 
648 7 |a 1800-1899  |2 fast 
655 2 |a Biography 
655 7 |a Biographies  |2 fast 
655 7 |a History  |2 fast 
655 7 |a Biographies.  |2 lcgft 
655 7 |a Biographies.  |2 rvmgf 
700 1 |a Smeaton, Peter,  |e author. 
776 0 8 |i Print version:  |a Osborne, John, 1951-  |t Out of the studio.  |d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022  |z 0228012058  |z 9780228012054  |w (OCoLC)1280598814 
830 0 |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv307fgxq  |z Texto completo 
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