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Improvising the score : rethinking modern film music through jazz /
"The first book of its kind, Improvising the Score vividly investigates unique collaborations between contemporary jazz artists and influential film directors, providing a behind-the-scenes look at innovative and integrative jazz-film productions that challenge us to rethink the possibilities o...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Jackson :
University Press of Mississippi,
[2022]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 006 | m o d | ||
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| 008 | 220302s2022 msu ob 001 0 eng | ||
| 010 | |a 2022008544 | ||
| 040 | |a DLC |b eng |e rda |c DLC |d OCLCO |d OCLCF |d YDX |d N$T |d P@U |d JSTOR |d OCLCQ |d STBDS |d OCLCQ | ||
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| 020 | |a 1496840763 |q electronic book | ||
| 020 | |a 9781496840738 |q electronic book | ||
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| 020 | |a 1496840755 |q electronic book | ||
| 020 | |a 9781496840769 |q (electronic bk.) | ||
| 020 | |z 9781496840721 |q hardcover | ||
| 020 | |z 9781496840844 |q trade paperback | ||
| 029 | 1 | |a AU@ |b 000071269656 | |
| 035 | |a (OCoLC)1303568185 |z (OCoLC)1302587458 | ||
| 037 | |a 22573/ctv2trz5kw |b JSTOR | ||
| 042 | |a pcc | ||
| 050 | 0 | 0 | |a ML2075 |b .C37 2022 |
| 072 | 7 | |a MUS |x 025000 |2 bisacsh | |
| 072 | 7 | |a PER |x 004010 |2 bisacsh | |
| 072 | 7 | |a MUS |x 020000 |2 bisacsh | |
| 072 | 7 | |a PER |x 004030 |2 bisacsh | |
| 072 | 7 | |a SOC |x 022000 |2 bisacsh | |
| 082 | 0 | 0 | |a 781.5/42 |2 23/eng/20220303 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Carlson, Gretchen L., |e author. | |
| 245 | 1 | 0 | |a Improvising the score : |b rethinking modern film music through jazz / |c Gretchen L. Carlson. |
| 264 | 1 | |a Jackson : |b University Press of Mississippi, |c [2022] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. Jazz goes to the movies -- When strangers meet : structures, tensions, and negotiations in jazz/film collaborations -- "Not a lot of people would go for that" : risk and experimentation in the improvised soundtracks of Birdman and Afterglow -- "Honest, true portrayals" : Terence Blanchard, Spike Lee, and the racial politics of jazz scoring -- "A film director's dream" : Dick Hyman plays the personal for Woody Allen -- Conclusion. Miles ahead : a new way of making movie music? | |
| 520 | |a "The first book of its kind, Improvising the Score vividly investigates unique collaborations between contemporary jazz artists and influential film directors, providing a behind-the-scenes look at innovative and integrative jazz-film productions that challenge us to rethink the possibilities of movie music. These in-depth case studies include collaborations between Terence Blanchard and Spike Lee (Malcolm X, When the Levees Broke), Dick Hyman and Woody Allen (Hannah and Her Sisters), Antonio Sanchez and Alejandro Gonzalez Iñárritu (Birdman), and Mark Isham and Alan Rudolph (Afterglow). Grounded in fascinating personal interviews, detailed film production analysis, and examinations of jazz artists' "creative labor" in the context of film production expectations, this book illustrates the dynamic possibilities of integrative artistic collaborations between jazz and film, and more broadly, music and media"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on July 06, 2022). | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion picture music |x History and criticism. | |
| 650 | 0 | |a Jazz |x History and criticism. | |
| 650 | 0 | |a Jazz in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Production and direction |x History. | |
| 650 | 6 | |a Film, Musique de |x Histoire et critique. | |
| 650 | 6 | |a Jazz au cinéma. | |
| 650 | 6 | |a Cinéma |x Production et réalisation |x Histoire. | |
| 650 | 7 | |a MUSIC / Genres & Styles / Jazz |2 bisacsh | |
| 650 | 7 | |a Jazz. |2 fast |0 (OCoLC)fst00982165 | |
| 650 | 7 | |a Jazz in motion pictures. |2 fast |0 (OCoLC)fst00982204 | |
| 650 | 7 | |a Motion picture music. |2 fast |0 (OCoLC)fst01027201 | |
| 650 | 7 | |a Motion pictures |x Production and direction. |2 fast |0 (OCoLC)fst01027357 | |
| 650 | 7 | |a Music. |2 thema | |
| 650 | 7 | |a Music. |2 ukslc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Carlson, Gretchen L. |t Improvising the score |d Jackson : University Press of Mississippi, 2022 |z 9781496840721 |w (DLC) 2022008543 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2tsxkvs |z Texto completo |
| 938 | |a Oxford University Press USA |b OUPR |n 9781496840769 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_101340 | ||
| 938 | |a YBP Library Services |b YANK |n 18001995 | ||
| 938 | |a EBSCOhost |b EBSC |n 3306751 | ||
| 994 | |a 92 |b IZTAP | ||