Cargando…
The dancing body in Renaissance choreography : kinetic theatricality and social interaction /
The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical disco...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London, UK ; New York, NY :
Anthem Press,
2022.
|
| Edición: | Revised edition. |
| Colección: | Anthem studies in theatre and performance.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Preface to the Revised Edition
- Physical Eloquence and Persuasion
- The Critique of Reconstruction
- Quattrocento Renaissance Dance as an Objectifying Activity of Self-Consciousness
- Courtly versus Bourgeois Values
- Nature
- Work
- Treatises
- Dance and Literature
- Chapter 1 Introduction
- Chapter 2 The Mythological Intertext: Language
- A. The Rhetorical Code
- B. Rhetorical Charm and Emotion as Urbanity
- Chapter 3 The Sociological Intertext: Courtesy
- A. Dance as a "Theoretical" Practice of Propriety: Tuccaro
- B. The Reverence as an Aleatory Intertext
- C. The Courtesy Book as a Genre
- Chapter 4 The Pedagogical Intertext: Precepts
- A. The Pose as Intertext for the Basse Danse
- B. The Gestural Code as Intertext for the Gaillard
- C. Measure as a Practical Dancing Term: "fantasmata"
- Chapter 5 The Political Intertext: Civil Conversatione (Social Intercourse)
- A. The Interpretant
- B. The Strategy of Civil Conversatione
- C. Conclusion(s)
- Bibliography
- Index