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The dancing body in Renaissance choreography : kinetic theatricality and social interaction /
The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical disco...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London, UK ; New York, NY :
Anthem Press,
2022.
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| Edición: | Revised edition. |
| Colección: | Anthem studies in theatre and performance.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Franko, Mark, |e author. | |
| 245 | 1 | 4 | |a The dancing body in Renaissance choreography : |b kinetic theatricality and social interaction / |c Mark Franco. |
| 250 | |a Revised edition. | ||
| 264 | 1 | |a London, UK ; |a New York, NY : |b Anthem Press, |c 2022. | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (xlv, 113 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Anthem Studies in Theatre and Performance | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Preface to the Revised Edition -- Physical Eloquence and Persuasion -- The Critique of Reconstruction -- Quattrocento Renaissance Dance as an Objectifying Activity of Self-Consciousness -- Courtly versus Bourgeois Values -- Nature -- Work -- Treatises -- Dance and Literature -- Chapter 1 Introduction -- Chapter 2 The Mythological Intertext: Language -- A. The Rhetorical Code -- B. Rhetorical Charm and Emotion as Urbanity -- Chapter 3 The Sociological Intertext: Courtesy -- A. Dance as a "Theoretical" Practice of Propriety: Tuccaro -- B. The Reverence as an Aleatory Intertext -- C. The Courtesy Book as a Genre -- Chapter 4 The Pedagogical Intertext: Precepts -- A. The Pose as Intertext for the Basse Danse -- B. The Gestural Code as Intertext for the Gaillard -- C. Measure as a Practical Dancing Term: "fantasmata" -- Chapter 5 The Political Intertext: Civil Conversatione (Social Intercourse) -- A. The Interpretant -- B. The Strategy of Civil Conversatione -- C. Conclusion(s) -- Bibliography -- Index | |
| 520 | |a The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical discourses of civility and conceptions of value emanating from descriptions of social interaction in courtesy books. | ||
| 520 | |a "Renaissance dance treatises claim that the dance is a language but do not explain how or what dancing communicates. Since the body is the instrument of this hypothetical language, The Dancing Body in Renaissance Choreography problematizes the absence of the dancing body in treatises in order to reconstruct it through a series of intertextual readings triggered by Thoinot Arbeau's definition of dance as a mute rhetoric in Orchesographie. This book shows that the oratorical model for Arbeau's definition of the dance is epideictic and that although one cannot equate dance and oratorical action, the ends of oratorical action are those of dance: persuasion through charm and emotion. The analysis of the rhetorical intertext opens the way to a sociological one. Through a reading of courtesy books as well as a chapter of Tuccaro's L'Art de Sauter et Voltiger en l'air it is shown that dance and social behavior were not discontinuous in the Renaissance. Instructions for the body can be divided into the categories of the pose and movement. They are examined as a model for the most important and widely practiced dance of the Renaissance: the basse danse. The characteristic motion resides in an opposition as well as an interpenetration of stillness and mobility. This is developed through a reading of fifteenth-century dance theorists' concept of misura and fantasmata. Stefano Guazzo's La Civil Conversazione is used as a textual interpretant to ascertain the strategy of movement and the pose in the interaction between dancer and spectator."-- |c Provided by publisher. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on June 09, 2022). | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Dance |x Philosophy. | |
| 650 | 0 | |a Dance |z Europe, Western |x History. | |
| 650 | 0 | |a Renaissance. | |
| 650 | 0 | |a Dance |y 15th century. | |
| 650 | 0 | |a Choreography |y 15th century. | |
| 650 | 0 | |a Dance |z Europe, Western |x Sociological aspects. | |
| 650 | 6 | |a Danse |x Philosophie. | |
| 650 | 6 | |a Danse |x Histoire. | |
| 650 | 6 | |a Renaissance. | |
| 650 | 6 | |a Danse |y 15e siècle. | |
| 650 | 6 | |a Chorégraphie |y 15e siècle. | |
| 650 | 7 | |a Renaissance. |2 aat | |
| 650 | 7 | |a Dance |x Sociological aspects. |2 fast |0 (OCoLC)fst00887469 | |
| 650 | 7 | |a Choreography. |2 fast |0 (OCoLC)fst00858600 | |
| 650 | 7 | |a Dance. |2 fast |0 (OCoLC)fst00887402 | |
| 650 | 7 | |a Dance |x Philosophy. |2 fast |0 (OCoLC)fst00887437 | |
| 650 | 7 | |a Renaissance. |2 fast |0 (OCoLC)fst01094518 | |
| 651 | 7 | |a Western Europe. |2 fast |0 (OCoLC)fst01272478 | |
| 648 | 7 | |a 1400-1499 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Franko, Mark. |t Dancing Body in Renaissance Choreography. |d La Vergne : Anthem Press, ©2022 |z 9781785278013 |
| 830 | 0 | |a Anthem studies in theatre and performance. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2c3k1k7 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6896325 | ||
| 938 | |a EBSCOhost |b EBSC |n 3186240 | ||
| 994 | |a 92 |b IZTAP | ||