Fascist visions : art and ideology in France and Italy /

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Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom...

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Bibliographic Details
Call Number:Libro Electrónico
Other Authors: Affron, Matthew, 1963-, Antliff, Mark, 1957-
Format: Electronic eBook
Language:Inglés
Published: Princeton, N.J. : Princeton University Press, ©1997.
Subjects:
Le Corbusier > 1887-1965
Saint-Point, Valentine de > 1875-1953
Sironi, Mario > 1885-1961
Soffici, Ardengo > 1879-1964
Valois, Georges > 1878-1945
Soffici, Ardengo.
Saint-Point, Valentine de.
Sironi, Mario.
Valois, Georges.
Le Corbusier.
Fascism and art > France.
Art and state > France.
Fascism and art > Italy.
Art and state > Italy.
Fascisme et art > France.
Art > Politique gouvernementale > France.
Fascisme et art > Italie.
Art > Politique gouvernementale > Italie.
20.10 art and society: general.
ART > Individual Artists > General.
Art and state
Fascism and art
Faschismus
Kunst
Kunstpolitik
Aufsatzsammlung
Kunst.
Fascisme.
Art and state > France > History > 20th century.
Art and state > Italy > History > 20th century.
France.
Italy.
Fascism.
Cultural property.
Cultural heritage.
Art et État > Italie.
France
Italy
Frankreich
Italien
Vichy-Regime
Aufsatzsammlung.
Online Access:Texto completo
Description
Summary:Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art expressed fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of advocates of fascist aesthetics, including artists, art critics, political activists, and government officials, outside of Germany.
Physical Description:1 online resource (ix, 283 pages) : illustrations
Bibliography:Includes bibliographical references (pages 263-273) and index.
ISBN:9780691241968
0691241961

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