Cargando…
Reframing Todd Haynes : feminism's indelible mark /
"For three decades award-winning independent filmmaker Todd Haynes, who emerged in the early 1990s as a foundational figure in New Queer Cinema, has gained critical recognition for his outsider perspective. Today, Haynes is widely known for bringing women's stories to the screen. Analyzing...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2022.
|
| Colección: | Camera obscura book (Duke University Press)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1291700501 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 220112s2022 ncua ob 001 0 eng c | ||
| 010 | |a 2021029093 | ||
| 040 | |a NDD |b eng |e rda |c NDD |d DLC |d YDX |d OCLCF |d OCLCO |d P@U |d JSTOR |d EBLCP |d N$T |d OCLCO |d UKAHL |d DEGRU |d OCLCQ |d SFB |d OCLCQ |d OCLCO | ||
| 019 | |a 1283496211 |a 1284920858 | ||
| 020 | |a 1478022620 | ||
| 020 | |a 9781478022626 |q (electronic bk.) | ||
| 020 | |z 9781478015390 |q (hardcover) | ||
| 020 | |z 147801539X |q (hardcover) | ||
| 020 | |z 9781478018001 |q (paperback) | ||
| 020 | |z 1478018003 |q (paperback) | ||
| 029 | 1 | |a AU@ |b 000070154597 | |
| 035 | |a (OCoLC)1291700501 |z (OCoLC)1283496211 |z (OCoLC)1284920858 | ||
| 037 | |a 22573/ctv29sv6fp |b JSTOR | ||
| 042 | |a pcc | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a PN1998.3.H385 |b R4473 2022 | |
| 072 | 7 | |a PER |x 004030 |2 bisacsh | |
| 072 | 7 | |a SOC |x 032000 |2 bisacsh | |
| 082 | 0 | 0 | |a 791.4302/33092 |2 23/eng/20211104 |
| 084 | |a PER004030 |a SOC032000 |2 bisacsh | ||
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Reframing Todd Haynes : |b feminism's indelible mark / |c Theresa L. Geller and Julia Leyda, editors. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2022. | |
| 300 | |a 1 online resource (350 pages) : |b illustrations | ||
| 336 | |a text |2 rdacontent | ||
| 337 | |a computer |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a A camera obscura book | |
| 588 | |a Description based on print version record. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Feminism's Indelible Mark / Theresa L. Geller -- Influences and Interlocutors -- Lesbian Reverie: Carol in History and Fantasy / Patricia White -- Playing with Dolls: Girls, Fans, and the Queer Feminism of Velvet Goldmine / Julia Leyda -- Todd Haynes and Julianne Moore: Collaboration and the Uncontainable Body / Rebecca M. Gordon -- Oh, the Irony: Tracing Christine Vachon's Filmic Signature / David E. Maynard and Theresa L. Geller -- "The Hardest, Most Difficult Film": Safe as Feminist Film Praxis / Theresa L. Geller -- Interventions and Intersections -- "Toxins in the Atmosphere": Reanimating the Feminist Poison / Jess Issacharoff -- All the Cake in the World: Five Provocations on Mildred Pierce / Patrick Flanery -- The Politics of Disappointment: Todd Haynes Rewrites Douglas Sirk / Sharon Willis -- All That Whiteness Allows: Femininity, Race, and Empire in Safe, Carol, and Wonderstruck / Danielle Bouchard and Jigna Desai -- Intermediality and Intertextuality -- Written on the Screen: Mediation and Immersion in Far from Heaven -- / Lynne Joyrich -- It's Not TV, It's Mildred Pierce / Bridget Kies -- The Incredible Shrinking Star: Todd Haynes and the Case History of Karen Carpenter / Mary R. Desjardins -- Having a Ball with Dottie: Queering Female Stardom from MGM to Todd Haynes / Noah A. Tsika -- Bringing It All Back Home, or Feminist Suppositions on a Film Concerning Dylan / Nick Davis. | |
| 520 | |a "For three decades award-winning independent filmmaker Todd Haynes, who emerged in the early 1990s as a foundational figure in New Queer Cinema, has gained critical recognition for his outsider perspective. Today, Haynes is widely known for bringing women's stories to the screen. Analyzing Haynes's films such as Safe (1995), Velvet Goldmine (1998), Far from Heaven (2002), and Carol (2015), the television miniseries Mildred Pierce (2011), and his unauthorized Karen Carpenter biopic Superstar (1989), the contributors to Reframing Todd Haynes reassess his work in light of his longstanding feminist commitments and his exceptional career as a director of women's films. They present multiple perspectives on Haynes's film and television work and on his role as an artist-activist who draws on academic theorizations of gender and cinema. The volume illustrates the influence of feminist theory on Haynes's aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman's film. The contributors contend that no consideration of Haynes's work can afford to ignore the crucial place of feminism within it. Contributors. Danielle Bouchard, Nick Davis, Jigna Desai, Mary R. Desjardins, Patrick Flanery, Theresa L. Geller, Rebecca M. Gordon, Jess Issacharoff, Lynne Joyrich, Bridget Kies, Julia Leyda, David E. Maynard, Noah A. Tsika, Patricia White, Sharon Willis"-- |c Provided by publisher. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Haynes, Todd |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Haynes, Todd |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Haynes, Todd |2 fast |
| 650 | 0 | |a Motion picture producers and directors |z United States. | |
| 650 | 0 | |a Queer theory |x In motion pictures. | |
| 650 | 0 | |a Feminism and motion pictures |z United States. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z États-Unis. | |
| 650 | 6 | |a Théorie queer |x Au cinéma. | |
| 650 | 6 | |a Féminisme et cinéma |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS / Film / History & Criticism. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Gender Studies. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Feminism and motion pictures |2 fast | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Geller, Theresa L., |e editor. | |
| 700 | 1 | |a Leyda, Julia, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Reframing Todd Haynes. |d Durham : Duke University Press, 2022 |z 9781478015390 |z 9781478018001 |w (DLC) 2021029092 |w (OCoLC)1253354077 |
| 830 | 0 | |a Camera obscura book (Duke University Press) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv29z1hbs |z Texto completo |
| 938 | |a De Gruyter |b DEGR |n 9781478022626 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH39805642 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6885842 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_99652 | ||
| 938 | |a YBP Library Services |b YANK |n 17725205 | ||
| 938 | |a EBSCOhost |b EBSC |n 3171306 | ||
| 994 | |a 92 |b IZTAP | ||