Making Ideas Visible in the Eighteenth Century /

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This volume considers how ideas were made visible through the making of art and visual experience occasioned by reception during the long eighteenth century. The event that gave rise to the collection was the 15th David Nochol Smith Seminar in Eighteenth-Century Studies, which launched a new Austral...

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Bibliographic Details
Call Number:Libro Electrónico
Other Authors: Milam, Jennifer, Parsons, Nicola, Maskill, David, Priebe, Jessica, Martin, Matthew J., Fripp, Jessica, Windorf, Wiebke, Cooper, Melanie, Ferng, Jennifer
Format: Electronic eBook
Language:Inglés
Published: Newark, Delaware : University of Delaware Press, 2022.
Series:University of Delaware Press studies in 17th- and 18th- century art and culture.
Subjects:
1700-1799
Art, Modern > 18th century.
Art objects > Psychological aspects.
Art > 18e siècle.
Objets d'art > Aspect psychologique.
ART > General.
ART / General
Art, Modern
Online Access:Texto completo
Table of Contents:
  • Frontmatter
  • Table of Contents
  • Acknowledgements
  • List of Illustrations
  • Introduction. The Potential Vısibility of Ideas in Enlightenment Art and Aesthetics
  • Chapter 1 A Good Address: Living at the Louvre in the Eighteenth Century
  • Chapter 2 Inventing Artifice: François Boucher's Collection at the Louvre
  • Chapter 3 Continental Porcelain Made in England: The Case of the Chelsea Porcelain Factory
  • Chapter 4 Planting Cosmopolitan Ideals: Thomas Jefferson's Poplar Forest
  • Chapter 5 Growing Old in Public in Eighteenth- Century France: Marie-Thérèse Geoffrin and Marie Leszczynska
  • Chapter 6 French Funerary Monuments of the Ancien Régime as the Product of Individual Artistic Solutions
  • Chapter 7 Meeting the Locals: Mythical Images of the Indigenous Other in the Eighteenth and Nineteenth Centuries
  • Chapter 8 Infernal Machines: Designing the Bomb Vessel as Transnational Technology
  • Notes on Contributors
  • Index

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