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|a Essig, Linda,
|e author.
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|a Creative infrastructures :
|b artists, money and entrepreneurial action /
|c Linda Essig.
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|a Bristol :
|b Intellect Books,
|c 2022.
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|a 1 online resource (vi, 196 pages) :
|b illustrations
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|a Front cover -- Half title -- Creative infrastructures: artists, money, and entrepreneurial action -- Copyright page -- Table of contents -- Prologue -- Essay One. An ouroboros of self-sustainability. The approach ; Defining terms: art, innovation, entrepreneurship, money ; Given conditions: the late-capitalist economy ; Language and ideology ; The players ; The action ; Denouement ; Notes -- Essay Two. Motivation, symbolic meaning, and social impact. Symbolic meaning and identity expression ; Experience and the co-creation of meaning ; Economies of art ; Meaning, impact, and its assessment ; Yes, and ... ; Here, now ; Notes -- Essay Three. Art, capitalism, and its discontents. The hierarchy of capital ; Labor control of the means of production ; When the creative industries "work" ; Scale and value ; Is capitalism "smart?" Notes -- Essay Four. Novelty, uniqueness, originality. Individuals making multiples ; Organizations: museum stores and artist retail ; Copyright and its discontents ; The innovation narrative ; Notes -- Essay Five. Making way for impact. Art for change ; Theory of change ; "Measuring" social impact ; Guidelines for evaluation ; From innovation to impact ; Notes -- Essay Six. The nature of (arts) entrepreneurial action. Introduction ; Entrepreneurial action in the arts ; Intermediaries for entrepreneurial action ; The elephant in the room: why (some) artists hate the word "entrepreneur" ; Notes -- Essay Seven. Being an entrepreneurial artist. What does it mean to be an entrepreneurial artist? ; Profile: Clifton Taylor, lighting designer ; Profile: Daniel Bernard Roumain, composer and performer ; The idea of the "portfolio career" ; Being entrepreneurial through collective action ; Entrepreneurship as art ; Success ; Notes -- Essay Eight. Eschewing scarcity and finding abundance. Abundance ; Scarcity and precarity ; Overcoming scarcity and precarity with entrepreneurial creativity ; Is there a policy answer? ; Notes -- Essay Nine. Buying up, not selling out. Individual artists ; Organizations ; Communities, markets, and capital flow ; Supporting resilience ; Notes -- Epilogue: A future imaginary. Rey Lopez ; Swift Z ; Yet still, it is now -- Bibliography -- Back cover.
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|a A collection of essays and case studies that delve into the relationships between art, innovation, entrepreneurship, and money.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Arts and society.
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650 |
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|a Arts
|x Finance.
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650 |
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0 |
|a Arts
|x Economic aspects.
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650 |
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0 |
|a Entrepreneurship.
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650 |
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2 |
|a Entrepreneurship
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650 |
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6 |
|a Arts et société.
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650 |
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|a Arts
|x Finances.
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650 |
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6 |
|a Arts
|x Aspect économique.
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650 |
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|a Entrepreneuriat.
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650 |
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|a entrepreneurs.
|2 aat
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650 |
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|a ART / Art & Politics
|2 bisacsh
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650 |
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|a Arts and society.
|2 fast
|0 (OCoLC)fst00817856
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650 |
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|a Arts
|x Economic aspects.
|2 fast
|0 (OCoLC)fst00817743
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650 |
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7 |
|a Arts
|x Finance.
|2 fast
|0 (OCoLC)fst00817750
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650 |
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7 |
|a Entrepreneurship.
|2 fast
|0 (OCoLC)fst00912787
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776 |
0 |
8 |
|i Print version:
|a Essig, Linda.
|t Creative infrastructures.
|d Bristol : Intellect Books, 2022
|z 9781789385717
|w (OCoLC)1285708771
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvpw1
|z Texto completo
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