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210611r20212011enka ob 001 0 eng d |
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|a UKMGB
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|d JSTOR
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|a GBC196626
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|a 020226838
|2 Uk
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|a 1396877627
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|a 9781526162212
|q (ePub ebook)
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|a 1526162210
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|a 9781526162229
|q (electronic bk.)
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|a 1526162229
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|a UKMGB
|b 020226838
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|a AU@
|b 000069707635
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|a (OCoLC)1264399684
|z (OCoLC)1396877627
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|a PN1992.75
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|a PER
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|a 791.450232
|2 23
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|a UAMI
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|a Singleton-Turner, Roger,
|e author.
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|a Cue & cut :
|b a practical approach to working in multi-camera studios /
|c Roger Singleton-Turner.
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|a Manchester :
|b Manchester University Press,
|c 2021.
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|a 1 online resource :
|b illustrations.
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|a text
|2 rdacontent
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|a still image
|2 rdacontent
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|a computer
|2 rdamedia
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|a online resource
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|a Previously issued in print: 2011.
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|a Includes bibliographical references and index.
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|a LIST OF ILLUSTRATIONSCONTRIBUTORSPREFACEACKNOWLEDGMENTSINTRODUCTIONPART I: SAFETY & GOOD PRACTICEPART II: INTRODUCTION TO THE STUDIO1 -- BASICS2 -- WORKING WITH CAMERAS3 -- LENSES AND SHOOTING CONVENTIONS4 -- THE STUDIO PRODUCTION TEAM5 -- TECHNICAL JOBS IN THE STUDIO6 -- DESIGN AND SETS7 -- THE JOB OF SCRIPT SUPERVISOR AND MULTI-CAMERA PAPERWORK8 -- CAMERA SCRIPTS, CAMERA CARDS ETC. AND CREATING THEM IN MS WORD (with a note on Autocue)9 -- IN THE STUDIO -- COMMUNICATION10 -- LIGHTING FOR VIDEO CAMERAS -- AN INTRODUCTION11 -- MICROPHONES & SOUNDPART III: CONTENT12 -- INTERVIEWS, DISCUSSION AND CHAT13 -- DEMONSTRATIONS AND MOVEMENT14 -- HAVING IDEASPART IV: APPLYING THE PRINCIPLESINTRODUCTION15 -- GETTING IT ALL TOGETHER16 -- DRAMA17 -- MUSIC18 -- SHOOTING ACTIONAFTERWORDAPPENDIX I: ASPECT RATIOSHISTORYOTHER FORMATSSUMMARYAPPENDIX II: CONTINUITY -- A SUMMARYVIDEOGRAPHYBIBLIOGRAPHY AND REFERENCESSUGGESTED FURTHER READINGINDEX
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|a Description based on CIP data; resource not viewed.
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|a Print version record.
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|a Cue & Cut is a 'practical approach to working in television studios' for anyone who might want to work in that medium. It's full of useful information about kit, and how you would use it to create multi-camera content. Written by a multi-camera producer-director with years of drama and teaching experience, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTVThe book is firmly based in first-hand teaching experience and experience of producing, direction, floor managing (and so on) and on working with top flight Actors, Writers, Musicians, Designers of all disciplines and Sound and Camera crews, both at the BBC and in ITV. The book will certainly cover multi-camera aspects of Undergraduate, HND and B.Tech courses and should be useful to those on short courses, whether practical or post-graduate.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Television
|x Production and direction.
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|a Television
|x Equipment and supplies.
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|a Télévision
|x Production et réalisation.
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|a Télévision
|x Appareils et matériel.
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|a PERFORMING ARTS / Television / History & Criticism
|2 bisacsh
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|a Television
|x Equipment and supplies
|2 fast
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|a Television
|x Production and direction
|2 fast
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|i Print version:
|a Singleton-Turner, Roger.
|t Cue & cut.
|d Manchester : Manchester University Press, 2021
|z 9781526162212
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv29mvtbr
|z Texto completo
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|b EBSC
|n 3171171
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