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|a AU@
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|a (OCoLC)1253354742
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|b JSTOR
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|b W66 2021
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|a 704.03/96073
|2 23
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|a UAMI
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|a Woods, Naurice Frank,
|c Jr.,
|e author.
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|a Race and racism in nineteenth-century art :
|b the ascendency of Robert Duncanson, Edward Bannister, and Edmonia Lewis /
|c Naurice Frank Woods Jr. ; foreword by George Dimock.
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|a Jackson :
|b University Press of Mississippi,
|c [2021]
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|a 1 online resource (xi, 262 pages) :
|b illustrations (chiefly color)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Foreword / Dr. George Dimock -- Introduction: the "artistic ancestors" of Henry O. Tanner -- Robert Seldon Duncanson (1821-1872) -- Edward Mitchell Bannister (1828-1901) -- Mary Edmonia Lewis (ca. 1844-1907) -- Epilogue: American masters reclaimed.
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|a "Painters Robert Duncanson (ca. 1821-1872) and Edward Bannister (1828-1901) and sculptor Mary Edmonia Lewis (ca. 1844-1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them to not only overcome prevailing race and gender inequality, but also achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art. Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences"--
|c Provided by publisher.
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|a Description based on online resource; title from digital title page (viewed on July 20, 2021).
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Duncanson, Robert S.,
|d 1821-1872.
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|a Bannister, Edward Mitchell,
|d 1828-1901.
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|a Lewis, Edmonia.
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|a Lewis, Edmonia.
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|a Bannister, Edward Mitchell,
|d 1828-1901.
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|a Duncanson, Robert S.,
|d 1821-1872.
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|a Bannister, Edward Mitchell,
|d 1828-1901
|2 fast
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|a Duncanson, Robert S.,
|d 1821-1872
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|a Lewis, Edmonia
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|a African American artists
|v Biography.
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|a Racism and the arts
|z United States
|x History
|y 19th century.
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|a Artistes noirs américains
|v Biographies.
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|a Racisme et arts
|z États-Unis
|x Histoire
|y 19e siècle.
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|a SOCIAL SCIENCE / Ethnic Studies / African American Studies
|2 bisacsh
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|a African American artists
|2 fast
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|a Racism and the arts
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|a United States
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|a 1800-1899
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|a Biographies
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|a History
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|a Dimock, George,
|e author of foreword.
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|i Print version:
|a Woods, Naurice Frank.
|t Race and racism in nineteenth-century art
|d Jackson : University Press of Mississippi, 2021
|z 9781496834348
|w (DLC) 2021015807
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1s5nx40
|z Texto completo
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|a Oxford University Press USA
|b OUPR
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|a YBP Library Services
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