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|a GBC130944
|2 bnb
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|a 020114937
|2 Uk
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|a 1255849842
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|a 9781526137142
|q (electronic bk.)
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|a 1526137143
|q (electronic bk.)
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|z 1526137135
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|z 9781526137135
|q (hardback)
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|a 9781526137159
|q (ePub ebook)
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|a 1526137151
|q (ePub ebook)
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|a AU@
|b 000069110263
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|a UKMGB
|b 020114937
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|a (OCoLC)1248900371
|z (OCoLC)1255849842
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|a 22573/ctv1m6vsfx
|b JSTOR
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|a e------
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|a PN56.E6
|b P67 2021
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|a 809.031
|2 23
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|a UAMI
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|a Positive emotions in early modern literature and culture /
|c edited by Cora Fox, Bradley J. Irish, and Cassie M. Miura.
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|a Manchester :
|b Manchester University Press,
|c 2021.
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|c ©2021
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a "What did it mean to be happy in early modern Europe? Positive emotions in early modern literature and culture includes essays that reframe historical understandings of emotional life in the Renaissance, focusing on under-studied feelings such as mirth, solidarity, and tranquillity. Methodologically diverse and interdisciplinary, these essays draw from the history of emotions, affect theory and the contemporary social and cognitive sciences to reveal rich and sustained cultural attention in the early modern period to these positive feelings. The book also highlights culturally distinct negotiations of the problematic binary between what constitutes positive and negative emotions. A comprehensive introduction and afterword open multiple paths for research into the histories of good feeling and their significances for understanding present constructions of happiness and wellbeing."--
|c Publisher's description.
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|a Online resource; title from PDF title page (JSTOR platform, viewed August 2, 2023).
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|t Frontmatter --
|t Contents --
|t Notes on contributors --
|t Acknowledgments --
|t Introduction --
|t I Rewriting discourses of pleasure --
|t 1 Happy Hamlet --
|t 2 Therapeutic laughter in Robert Burton's The Anatomy of Melancholy --
|t 3 The pleasure of the text: reading and happiness in Rabelais and Montaigne --
|t 4 Pleasure and the 'rustic life' --
|t II Imagining happy communities --
|t 5 The theology of cheer, Erasmus to Shakespeare --
|t 6 'My crown is called content': positive, negative, and political affects in Shakespeare's first tetralogy --
|t 7 Solidarity as ritual in the late Elizabethan court: faction, emotion, and the Essex circle --
|t 8 Merriness, affect, and community in Shakespeare's Merry Wives of Windsor --
|t III Forms, attachment, and ambivalence --
|t 9 Happy objects and earthly pleasure in Thomas Traherne's devotional poetry --
|t 10 Trust and disgust: the precariousness of positive emotions in Webster's The Duchess of Malfi --
|t 11 'My heart is satisfied': revenge, justice, and satisfaction in The Spanish Tragedy --
|t 12 All's Well That Ends Well? Happiness, ambivalence, and story genre --
|t Afterword --
|t Index
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a European literature
|y Renaissance, 1450-1600
|x History and criticism.
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|a Emotions in literature.
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|a Littérature européenne
|y 1450-1600 (Renaissance)
|x Histoire et critique.
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|a LITERARY CRITICISM / General.
|2 bisacsh
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|a European literature
|x Renaissance
|2 fast
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|a Emotions in literature
|2 fast
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|a 1450-1600
|2 fast
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|a Shakespeare.
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|a affect theory.
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|a early modern.
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|a embodiment.
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|a happiness.
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|a history of emotion.
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|a humoralism.
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|a mirth.
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|a renaissance.
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|a wellbeing.
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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|a Literary criticism.
|2 lcgft
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|a Critiques littéraires.
|2 rvmgf
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700 |
1 |
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|a Fox, Cora,
|e editor.
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1 |
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|a Irish, Bradley J.,
|e editor.
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700 |
1 |
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|a Miura, Cassie M.,
|e editor.
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776 |
0 |
8 |
|i Print version:
|t Positive emotions in early modern literature and culture.
|d Manchester : Manchester University Press, 2021
|z 1526137135
|w (OCoLC)1204140535
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1m8d63j
|z Texto completo
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938 |
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|n 9781526137142
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|a Oxford University Press USA
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