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JSTOR_on1243546850 |
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OCoLC |
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20231005004200.0 |
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m o d |
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cr cnu---unuuu |
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210327s2021 stk o ||| 0 eng d |
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|a EBLCP
|b eng
|c EBLCP
|d N$T
|d OCLCO
|d EBLCP
|d JSTOR
|d UAB
|d OCL
|d UKAHL
|d STBDS
|d SFB
|d OCLCO
|d OCLCQ
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019 |
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|a 1298458601
|a 1370509245
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|a 1474474403
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|a 9781474474405
|q (electronic bk.)
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|a 9781399501668
|q (electronic bk.)
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|a 1399501666
|q (electronic bk.)
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|z 1474474381
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|z 9781474474382
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|a AU@
|b 000069081885
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|a (OCoLC)1243546850
|z (OCoLC)1298458601
|z (OCoLC)1370509245
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|a 22573/ctv1hkmc79
|b JSTOR
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050 |
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4 |
|a PN1995.7
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072 |
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7 |
|a MUS
|x 020000
|2 bisacsh
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|a 777.53
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|a UAMI
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100 |
1 |
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|a Chattopadhyay, Budhaditya.
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|a The Auditory Setting
|h [electronic resource] :
|b Environmental Sounds in Film and Media Arts.
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260 |
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|a Edinburgh :
|b Edinburgh University Press,
|c 2021.
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300 |
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|a 1 online resource (226 p.).
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a Music and the Moving Image Ser.
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|a Description based upon print version of record.
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|a Intro -- Title page -- Copyright -- Contents -- FIGURES -- ACKNOWLEDGEMENTS -- PART 1 INTRODUCTION -- 1 THE FIRST SOUND AND THE CURIOSITY -- 2 THE AUDITORY CONTEXT AND SIGNIFICATION -- 3 KEY CONCEPTS AND DEFINITIONS -- 4 APPROACH AND METHOD -- PART 2 SONIC TRAJECTORIES -- 5 MONAURAL SOUNDTRACKS AND RECORDING (SONIC) REALITY -- 6 STEREO SOUND AND THE EXPANDED SPACE -- 7 DIGITAL SURROUND SOUND AND THE MIMETIC SITE -- PART 3 ON LOCATION AND OTHER STORIES -- 8 LAND, FIELD, MEADOW -- 9 FOREST, JUNGLE -- 10 VILLAGE, RURAL ENVIRONMENT -- 11 INDOORS -- 12 RIVERBANK, BEACH, ISLAND
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|a 13 STREET, PUBLIC SQUARES, URBAN NEIGHBOURHOOD -- 14 PUBLIC TRANSPORT -- 15 AIRPORT -- 16 UNDERWATER, OUTER SPACE -- PART 4 CRITICAL LISTENING -- 17 MAPPING THE AESTHETIC CHOICES IN SOUND PRODUCTION -- 18 AUDITORY PRESENCE AND BETTER PRACTICE -- 19 THE GOD OF SMALL SOUNDS -- 20 EMERGING TRENDS AND FUTURE DIRECTIONS -- BIBLIOGRAPHY -- WORKS/MEDIA CITED -- INDEX
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|a The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'.
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504 |
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|a Includes bibliographical references (pages 187-201) and index.
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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0 |
|a Sound in motion pictures.
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650 |
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0 |
|a Motion pictures
|x Sound effects.
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650 |
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|a Ambient sounds.
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650 |
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6 |
|a Cinéma
|x Son.
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650 |
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6 |
|a Cinéma
|x Effets sonores.
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650 |
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6 |
|a Sons ambiants.
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650 |
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7 |
|a sound effects.
|2 aat
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650 |
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7 |
|a MUSIC / History & Criticism
|2 bisacsh
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650 |
|
7 |
|a Motion pictures
|x Sound effects.
|2 fast
|0 (OCoLC)fst01027388
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650 |
|
7 |
|a Ambient sounds.
|2 fast
|0 (OCoLC)fst00806734
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650 |
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7 |
|a Sound in motion pictures.
|2 fast
|0 (OCoLC)fst01904742
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650 |
|
7 |
|a Sound (Philosophy)
|2 fast
|0 (OCoLC)fst01762200
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776 |
0 |
8 |
|i Print version:
|a Chattopadhyay, Budhaditya
|t The Auditory Setting
|d Edinburgh : Edinburgh University Press,c2021
|z 9781474474382
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830 |
|
0 |
|a Music and the moving image.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1hm8gnw
|z Texto completo
|
938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH38507017
|
938 |
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|a Oxford University Press USA
|b OUPR
|n EDZ0002656594
|
938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH38507016
|
938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6519227
|
938 |
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|a EBSCOhost
|b EBSC
|n 2898003
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994 |
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|a 92
|b IZTAP
|