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|b Z895 2021
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|a 894.3533
|2 23
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|a UAMI
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|a Tüfekçioğlu, Zeynep,
|e author.
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|a Nation and identity in Turkish crime fiction :
|b reading Ahmet Ümit's novels as a medium of ideological negotiation /
|c Zeynep Tüfekçioğlu.
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|a Wiesbaden :
|b Harrassowitz Verlag,
|c 2021.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Mîzân. Studien zur Literatur in der islamischen Welt ;
|v Band 33
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|a Cover -- Title Pages -- Table of Contents -- Acknowledgments -- Note on Editions, Spelling, and Transcriptions -- Introduction -- From the Periphery to the Center?: Contemporary Crime Fiction in Turkey -- Aims, Main Research Questions, and Methods -- Overview of the Chapters -- CHAPTER 1 -- Theoretical and Methodological Premises -- 1.1 Interconnections Between the Theoretical and Methodological Approaches and Aims of this Study -- 1.2 Cultural Narratology: A Possible Modus Operandi for the Study of Turkish Literature -- 1.3 A Note on Key Concepts
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|a CHAPTER 2 -- Positioning Ahmet Ümit in the Post-1980 Turkish Literary Field -- 2.1 Becoming the Author of Turkish Crime Fiction -- 2.2 Ahmet Ümit's Narratives as a Cultural Way of Self- and Worldmaking until the Gezi Revolt -- 2.3 The End of His Ambivalent Politics of Resistance: The Aftermath of the Gezi Protests -- Chapter Conclusion -- CHAPTER 3 -- Beginnings: Reading Ümit's Early Works as Political Thrillers -- 3.1 Narratives of Broken Masculinities and Popular Manifestations of Homo Secularis
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|a 3.2 Uncovering the Discontents of the (Deep) State:The Fog and the Night, The Scent of Snow, and The Marionette -- 3.2 Uncovering the Discontents of the (Deep) State: The Fog and the Night, The Scent of Snow, and The Marionette -- 3.3 Debunking the Genocide Taboo and the Military Myth: Patasana -- 3.3 Debunking the Genocide Taboo and the Military Myth: Patasana -- Chapter Conclusion -- CHAPTER 4 -- Transitions: Religion and History in Ümit's Post-secular Novels -- 4.1 Towards Post-secularism
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|a 4.2 Religious Identities and Religiosities in Beyoğlu Rhapsody and The Man who Spoke the Language of Jesus -- 4.3 A Contemporary Sufi Tale: The Dervish Gate -- Chapter Conclusion -- CHAPTER 5 -- Transgressions: Alternative Histories in Ümit's Istanbul Novels -- 5.1 Neo-Ottomanism vs. Ottomania: Reimagining the Ottoman Legacy -- 5.2 Nostalgia for the Past: Istanbul Cosmopolitanism in A Memento for Istanbul -- 5.3 Postmodernist Contestation of National Historiography in To Kill a Sultan -- Chapter Conclusion -- Conclusion -- References
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|a Online resource; title from digital title page (viewed on March 23, 2021).
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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1 |
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|a Ümit, Ahmet,
|d 1960-
|x Criticism and interpretation.
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| 650 |
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|a Detective and mystery stories, Turkish
|x History and criticism.
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| 650 |
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|a Detective and mystery stories, Turkish
|2 fast
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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| 776 |
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|i Print version:
|a Tüfekçioğlu, Zeynep
|t Nation and Identity in Turkish Crime Fiction
|d Wiesbaden : Harrassowitz Verlag,c2021
|z 9783447115780
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| 830 |
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|a Mîzân (Wiesbaden, Germany) ;
|v Bd. 33.
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| 856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1h9djs0
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6485539
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| 938 |
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|a YBP Library Services
|b YANK
|n 17266287
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| 994 |
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|a 92
|b IZTAP
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