Alleviative Objects : Intersectional Entanglement and Progressive Racism in Caribbean Art /

The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink `Euro- and U.S.-centric' persp...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Frohnapfel, David, 1985- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : transcript-Verlag, [2021]
Colección:Postcolonial studies ; 43.
Temas:
Art, Haitian.
Art, Caribbean.
Intersectionality (Sociology)
Racism in art.
Affect.
Art.
Caribbean.
Cultural Anthropology.
Cultural Studies.
Decoloniality.
Haiti.
Installation Art.
Intersectionality.
Museology.
Museum.
Postcolonialism.
Racism.
Socially-engaged Art.
South American Art.
Whiteness.
Art haïtien.
Art antillais.
Intersectionnalité.
Racisme dans l'art.
SOCIAL SCIENCE / Anthropology / Cultural & Social.
SOCIAL SCIENCE / Anthropology / Cultural
Acceso en línea:Texto completo
Descripción
Sumario:The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink `Euro- and U.S.-centric' perspectives on art, race, and class. David Frohnapfel shows how progressive racism in the discourse on Haitian art recenters Whiteness by performing benign identifications with the artist group Atis Rezistans. While the study turns critically towards Whiteness, it also turns away from it and towards the compelling contributions of Haitian curators and artists to the decentralization of contemporary art.
Descripción Física:1 online resource (318 p.).
ISBN:3839455928
9783839455920

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