Liner notes for the revolution : the intellectual life of Black feminist sound /

An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brooks, Daphne (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2021.
Temas:
African American women musicians.
African American women > Music > History and criticism.
African American women > Intellectual life.
Musical criticism > United States > History.
African American feminists.
Musiciennes noires américaines.
Noires américaines > Musique > Histoire et critique.
Noires américaines > Vie intellectuelle.
Critique musicale > États-Unis > Histoire.
Féministes noires américaines.
SOCIAL SCIENCE / Popular Culture
African American women > Intellectual life
African American feminists
African American women musicians
Musical criticism
United States
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • SIDE A. Toward a Black feminist intellectual tradition in sound
  • "Sister, can you line it out?" : Zora Neale Hurston notes the sound
  • Blues feminist lingua franca : Rosetta Reitz rewrites the record
  • Thrice militant music criticism : Ellen Willis & Lorraine Hansberry's What might be
  • SIDE B. Not fade away : looking after Geeshie & Elvie / L.V.
  • "If you should lose me" : of trunks & record shops & Black girl ephemera
  • "See my face from the other side" : catching up with Geeshie and L.V.
  • "Slow fade to black" : Black women archivists remix the sounds
  • Epilogue : Going to the territory.

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