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Cinema off screen : moviegoing in socialist China /

"At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen el...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zhou, Chenshu, 1985- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2021]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Zhou, Chenshu,  |d 1985-  |e author. 
245 1 0 |a Cinema off screen :  |b moviegoing in socialist China /  |c Chenshu Zhou. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2021] 
300 |a 1 online resource (xii, 266 pages) :  |b illustrations, maps 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Space -- Labor -- Multimedia -- Atmosphere -- Discomfort -- Screen -- Postscript -- Appendix : Interviewee profiles. 
520 |a "At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen elaborates on the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People's Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema"--  |c Provided by publisher 
588 0 |a Online resource; title from digital title page (viewed on June 29, 2021). 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Motion pictures  |z China  |x History  |y 20th century  |v Case studies. 
650 0 |a Socialism and motion pictures  |z China  |y 20th century  |v Case studies. 
650 0 |a Motion picture audiences  |z China  |y 20th century  |v Case studies. 
650 6 |a Cinéma  |z Chine  |x Histoire  |y 20e siècle  |v Études de cas. 
650 6 |a Socialisme et cinéma  |z Chine  |y 20e siècle  |v Études de cas. 
650 6 |a Cinéma  |x Publics  |z Chine  |y 20e siècle  |v Études de cas. 
650 7 |a SOCIAL SCIENCE  |x Media Studies.  |2 bisacsh 
650 7 |a Motion picture audiences  |2 fast 
650 7 |a Motion pictures  |2 fast 
650 7 |a Socialism and motion pictures  |2 fast 
651 7 |a China  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a Case studies  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Zhou, Chenshu, 1985-  |t Cinema off screen.  |d Oakland, California : University of California Press, [2021]  |z 9780520343382  |w (DLC) 2020056151 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1n9dkv1  |z Texto completo 
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938 |a EBSCOhost  |b EBSC  |n 2924451 
994 |a 92  |b IZTAP