|
|
|
|
LEADER |
00000cam a2200000Ma 4500 |
001 |
JSTOR_on1229089270 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr |n||||||||| |
008 |
210107s2019 enka fob 001 0 eng d |
040 |
|
|
|a YDX
|b eng
|c YDX
|d N$T
|d OCLCO
|d OCLCF
|d OCLCO
|d JSTOR
|d OCLCQ
|d OCLCO
|
020 |
|
|
|a 9781782847267
|q (electronic bk.)
|
020 |
|
|
|a 178284726X
|q (electronic bk.)
|
020 |
|
|
|z 9781845193300
|
020 |
|
|
|z 184519330X
|
029 |
1 |
|
|a AU@
|b 000072861147
|
035 |
|
|
|a (OCoLC)1229089270
|
037 |
|
|
|a 22573/ctv3008dhd
|b JSTOR
|
050 |
|
4 |
|a PN2041.S45
|
072 |
|
7 |
|a PER
|2 eflch
|
082 |
0 |
4 |
|a 792.01/5
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Rozik, Eli.
|
245 |
1 |
0 |
|a Generating theatre meaning
|h [electronic resource] :
|b a theory and methodology of performance analysis /
|c Eli Rozik.
|
260 |
|
|
|a Brighton :
|b Sussex Academic,
|c 2019.
|
300 |
|
|
|a 1 online resource
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
650 |
|
0 |
|a Theater
|x Semiotics.
|
650 |
|
0 |
|a Theater
|x Philosophy.
|
650 |
|
0 |
|a Acting
|x Philosophy.
|
650 |
|
6 |
|a Sémiotique et théâtre.
|
650 |
|
6 |
|a Art dramatique
|x Philosophie.
|
650 |
|
7 |
|a Acting
|x Philosophy
|2 fast
|
650 |
|
7 |
|a Theater
|x Philosophy
|2 fast
|
650 |
|
7 |
|a Theater
|x Semiotics
|2 fast
|
776 |
0 |
8 |
|i Print version:
|z 9781845193300
|z 184519330X
|w (OCoLC)733993321
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv3029q5v
|z Texto completo
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 17200741
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2719428
|
994 |
|
|
|a 92
|b IZTAP
|