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Cinema against spectacle : technique and ideology revisited /

Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spect...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Comolli, Jean-Louis (Autor)
Otros Autores: Fairfax, Daniel (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Amsterdam : Amsterdam University Press, [2015]
Colección:Film theory in media history.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Comolli, Jean-Louis,  |e author. 
240 0 0 |a Cinéma contre spectacle.  |l English 
245 1 0 |a Cinema against spectacle :  |b technique and ideology revisited /  |c by Jean-Louis Comolli ; translated and edited by Daniel Fairfax. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2015] 
300 |a 1 online resource (345 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |2 rda 
490 1 |a Open Access e-Books 
490 1 |a Knowledge Unlatched 
490 1 |a Film theory in media history 
504 |a Includes bibliographical references and index. 
505 0 |a Cinema against Spectacle -- Introduction -- Cinema against Spectacle -- I. Opening the Window? -- II. Inventing the Cinema? -- III. Filming the Disaster? -- IV. Cutting the Figure? -- V. Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- Introduction -- I. On a Dual Origin -- The ideological place of the "base apparatus" -- Birth = deferral: The invention of the cinema -- II. Depth of Field: The Double Scene -- Bazin's "surplus realism" -- The work of "transparency" -- For a materialist history of the cinema -- "For the first time ..." -- III."Primitive" Depth of Field -- IV. Effacement of Depth/Advent of Speech -- V. Which Speech? 
588 |a Description based on online resource; title from PDF title page (viewed on 11/17/2020). 
520 |a Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker. 
546 |a Translation from the French of Cinéma, contre spectacle. 
506 0 |a Open Access  |5 EbpS 
590 |a JSTOR  |b Books at JSTOR Open Access 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Motion pictures  |x Philosophy. 
650 6 |a Cinéma  |x Philosophie. 
650 7 |a Film theory and criticism.  |2 bicssc 
650 7 |a PERFORMING ARTS / General  |2 bisacsh 
650 7 |a Motion pictures  |x Philosophy  |2 fast 
653 |a Film Theory, Ideology, Cinema and Politics, Film History, Cahiers du cinéma. 
655 4 |b Electronic books. 
700 1 |a Fairfax, Daniel,  |e translator. 
773 0 |t Books at JSTOR: Open Access  |d JSTOR 
773 0 |t OAPEN (Open Access Publishing in European Networks)  |d OAPEN 
776 0 8 |i Print version:  |a Comolli, Jean-Louis.  |t Cinema against spectacle : technique and ideology revisited / by Jean-Louis Comolli ; translated and edited by Daniel Fairfax.  |d Amsterdam : Amsterdam University Press, [2015]  |z 9789089645548 
830 0 |a Film theory in media history. 
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