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Commitment in the Artistic Practice of Aref El-Rayess : the Changing of Horses /

In her study of Aref El-Rayess's The 5th of June, or, The Changing of Horses, Natasha Gasparian reveals that the picture was presented and received, allegorically or metaphysically, as an idealized narrative of national liberation. By tracing the caesuras and slips in discourse, she reconstruct...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gasparian, Natasha (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York, NY : Anthem Press, 2020.
Colección:Anthem modern and contemporary art of the Arab world, Iran and Turkey
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Commitment in the Artistic Practice of Aref El-Rayess :  |b the Changing of Horses /  |c Natasha Gasparian. 
264 1 |a London ;  |a New York, NY :  |b Anthem Press,  |c 2020. 
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490 0 |a Anthem modern and contemporary art of the Arab world, Iran and Turkey 
505 0 |a Cover -- Front Matter -- Half-title -- Series page -- Title page -- Copyright information -- Contents -- Figures -- Acknowledgments -- Chapter Int-null -- Introduction -- Chapter 1 The Exhibition -- The Artist and the Masses -- Chapter 2 The Artist -- Radicalization of the Left: Commitment after June 1967 -- The Artist as a Fida ʹi in his Everyday Life -- Chapter 3 The Reception -- The Revolutionaries of the Salons -- Like a Nightmare on the Brains of the Living -- Conclusion -- End Matter -- Notes -- Introduction -- 1. The Exhibition -- 2. The Artist -- 3. The Reception -- Conclusion. 
504 |a Includes bibliographical references. 
520 |a In her study of Aref El-Rayess's The 5th of June, or, The Changing of Horses, Natasha Gasparian reveals that the picture was presented and received, allegorically or metaphysically, as an idealized narrative of national liberation. By tracing the caesuras and slips in discourse, she reconstructs an alternative reading of the artwork's uncanny yet historically determinate character. 
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