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Commitment in the Artistic Practice of Aref El-Rayess : the Changing of Horses /
In her study of Aref El-Rayess's The 5th of June, or, The Changing of Horses, Natasha Gasparian reveals that the picture was presented and received, allegorically or metaphysically, as an idealized narrative of national liberation. By tracing the caesuras and slips in discourse, she reconstruct...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York, NY :
Anthem Press,
2020.
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| Colección: | Anthem modern and contemporary art of the Arab world, Iran and Turkey
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Gasparian, Natasha, |e author. | |
| 245 | 1 | 0 | |a Commitment in the Artistic Practice of Aref El-Rayess : |b the Changing of Horses / |c Natasha Gasparian. |
| 264 | 1 | |a London ; |a New York, NY : |b Anthem Press, |c 2020. | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Anthem modern and contemporary art of the Arab world, Iran and Turkey | |
| 505 | 0 | |a Cover -- Front Matter -- Half-title -- Series page -- Title page -- Copyright information -- Contents -- Figures -- Acknowledgments -- Chapter Int-null -- Introduction -- Chapter 1 The Exhibition -- The Artist and the Masses -- Chapter 2 The Artist -- Radicalization of the Left: Commitment after June 1967 -- The Artist as a Fida ʹi in his Everyday Life -- Chapter 3 The Reception -- The Revolutionaries of the Salons -- Like a Nightmare on the Brains of the Living -- Conclusion -- End Matter -- Notes -- Introduction -- 1. The Exhibition -- 2. The Artist -- 3. The Reception -- Conclusion. | |
| 504 | |a Includes bibliographical references. | ||
| 520 | |a In her study of Aref El-Rayess's The 5th of June, or, The Changing of Horses, Natasha Gasparian reveals that the picture was presented and received, allegorically or metaphysically, as an idealized narrative of national liberation. By tracing the caesuras and slips in discourse, she reconstructs an alternative reading of the artwork's uncanny yet historically determinate character. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on December 02, 2020). | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a El Rayess, Aref |x Criticism and interpretation. |
| 650 | 0 | |a Painters |z Lebanon. | |
| 650 | 0 | |a Painting, Lebanese. | |
| 650 | 0 | |a Art, Arab |z Middle East. | |
| 650 | 6 | |a Peintres |z Liban. | |
| 650 | 6 | |a Peinture libanaise. | |
| 650 | 7 | |a ART |x Middle Eastern. |2 bisacsh | |
| 650 | 7 | |a ART |x Techniques |x Painting. |2 bisacsh | |
| 650 | 7 | |a ART / Art & Politics |2 bisacsh | |
| 650 | 7 | |a Art, Arab |2 fast | |
| 650 | 7 | |a Painters |2 fast | |
| 650 | 7 | |a Painting, Lebanese |2 fast | |
| 651 | 7 | |a Lebanon |2 fast | |
| 651 | 7 | |a Middle East |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Gasparian, Natasha. |t Commitment in the Artistic Practice of Aref el-Rayess : The Changing of Horses. |d London : Anthem Press, ©2020 |z 9781785274626 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvxkn6r5 |z Texto completo |
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