Arvo Pärt : sounding the sacred /
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of...
Call Number: | Libro Electrónico |
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Other Authors: | , , |
Format: | Electronic eBook |
Language: | Inglés |
Published: |
New York :
Fordham University Press,
2021.
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Subjects: | |
Online Access: | Texto completo |
Table of Contents:
- I. Introduction. Arvo Pärt and the art of embodiment
- The sound-and hearing-of Arvo Pärt
- II. History and context. Sounding structure, structured sound
- Colorful dreams : exploring Pärt's Soviet film music
- Arvo Pärt's tintinnabuli and the 1970s Soviet underground
- III. Performance. The Pärt sound
- The rest is silence
- IV. Materiality and phenomenology. Vibrating, and silent : listening to the material acoustics of tintinnabulation
- Medieval Pärt
- The piano and the performing body in the music of Arvo Pärt : phenomenological perspectives
- V. Theology. Presence, absence, and the ambiguities of ambiance : theological discourse and the move to sound in Pärt studies
- The materiality of sound and the theology of the incarnation in the music of Arvo Pärt
- Christian liturgical chant and the musical reorientation of Arvo Pärt
- In the beginning there was sound : hearing, tintinnabuli, and musical meaning in Sufism.