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London's arts labs and the 60s avant-garde /
This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challe...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Burnet, Herts., United Kingdom :
John Libbey Publishing Limited,
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Curtis, David, |d 1942- |e author. | |
| 245 | 1 | 0 | |a London's arts labs and the 60s avant-garde / |c David Curtis. |
| 264 | 1 | |a New Burnet, Herts., United Kingdom : |b John Libbey Publishing Limited, |c [2020] | |
| 264 | 2 | |a Bloomington, IN, USA : |b Distributed worldwide by Indiana University Press. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (vi, 170 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko/John Latham/Takis/Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show/Freehold/Jane Arden's Vagina Rex and the Gas Oven/Will Spoor Mime Theatre). The Robert Street "New Arts Lab" (1969-71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop, and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher/Malcolm Le Grice/Sally Potter/Carolee Schneemann/Peter Gidal). It staged J.G. Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response--in the context of a popular press already hostile to youth culture, experimental art and the "underground." | ||
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 505 | 0 | |a Foreword: 'It's not easy' : 'the best arts laboratories are play pens' / Andrew Wilson -- Drury Lane Arts Lab -- The New arts Lab at Robert St. (IRAT). | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 650 | 0 | |a Alternative spaces (Arts facilities) |z England |z London. | |
| 650 | 0 | |a Arts |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Arts and society |z England |z London |x History. | |
| 650 | 0 | |a Avant-garde (Aesthetics) |z Great Britain |x History |y 20th century. | |
| 650 | 6 | |a Arts |z Grande-Bretagne |x Expositions |x Histoire. | |
| 650 | 6 | |a Centres d'artistes autogérés |z Angleterre |z Londres. | |
| 650 | 6 | |a Arts et société |z Angleterre |z Londres |x Histoire. | |
| 650 | 7 | |a ART / Film & Video. |2 bisacsh | |
| 650 | 7 | |a Alternative spaces (Arts facilities) |2 fast | |
| 650 | 7 | |a Arts |2 fast | |
| 650 | 7 | |a Arts, British |2 fast | |
| 650 | 7 | |a Avant-garde (Aesthetics) |2 fast | |
| 650 | 7 | |a Nineteen sixties |2 fast | |
| 650 | 7 | |a Social conditions |2 fast | |
| 651 | 7 | |a England |z London |2 fast | |
| 651 | 7 | |a Great Britain |2 fast | |
| 648 | 7 | |a Since 1900 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |t London's arts labs and the 60s avant-garde |d New Burnet, Herts., United Kingdom : John Libbey Publishing Ltd., [2020] |z 0861967488 |w (DLC) 2021279220 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv18sqxqf |z Texto completo |
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